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Takamine FGD136S
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JulienMerichon JulienMerichon

«  Exceptional »

Published on 01/27/14 at 10:30
Japan. One on which I had the chance to play in the studio was 1999.
Channel "ebony fingerboard"
1 microphone pickup Takamine "Palathetic Bridge"
DSP AD-1 preamp (Volume, Bass, Treble, parametric equalizer (frequency, filter, anti-loopback (feedback)) 5 bands free - 2 different reverb (wet or dry) with level, intelligent DSP harmonic generation defined as the set type - excite - 20 presets: 10 factory and 10 perso What to play all music stlye comfortable..

UTILIZATION

The handle is amazing. I do not know more easy and accurate. The highs are within the reach of all. Sound, if one plays softly already absolumenr is sublime. If one is good player can attack frankly, and DSP delivers wonders.
This is a guitar that can be found sometimes in the studio, it is also for the extra scene, ea with the anti-feedback ...

SOUNDS

All styles, it is super-versatile.
Body Shape: Flamenco
Top: Solid Cedar
Back: Cypress
Sides: Cypress
Tuners: Gold Classical
Preamp: DSP

OVERALL OPINION

I had the chance to use it in the studio for 15 days in Brussels.
Q / P for a collector like that, in good condition, who played well and who therefore has an even better compared to a Taylor or a new Martin, I would not hesitate, I would buy that it secondhand. Only problem, there are very few ... :-(