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sylsicienPublished on 10/02/04 at 12:05 (This content has been automatically translated from French)
Here at least 4 years I use this little table in my home studio.
ct of the special, it does not! it is all done ordinnaire nanmoins,
the sound is always clean exit, pramps are not bad (there are more of course but not taking it dnaturent) is not true on its own!
I love the faders 100, XLR and jack, direct outs, inserts and also taking rca cd to return or "tape" on each slice.
the four buses are also a QUIPS between (a gain) is an output (with pan) for each of them and it is! (Damage whatsoever in RCA), but even when we can put an effect on every bus or use the outputs as direct outs.
ffective corrections are only three bands and that is unfortunate. shelving in a fixed aigc'est...…
ct of the special, it does not! it is all done ordinnaire nanmoins,
the sound is always clean exit, pramps are not bad (there are more of course but not taking it dnaturent) is not true on its own!
I love the faders 100, XLR and jack, direct outs, inserts and also taking rca cd to return or "tape" on each slice.
the four buses are also a QUIPS between (a gain) is an output (with pan) for each of them and it is! (Damage whatsoever in RCA), but even when we can put an effect on every bus or use the outputs as direct outs.
ffective corrections are only three bands and that is unfortunate. shelving in a fixed aigc'est...…
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Here at least 4 years I use this little table in my home studio.
ct of the special, it does not! it is all done ordinnaire nanmoins,
the sound is always clean exit, pramps are not bad (there are more of course but not taking it dnaturent) is not true on its own!
I love the faders 100, XLR and jack, direct outs, inserts and also taking rca cd to return or "tape" on each slice.
the four buses are also a QUIPS between (a gain) is an output (with pan) for each of them and it is! (Damage whatsoever in RCA), but even when we can put an effect on every bus or use the outputs as direct outs.
ffective corrections are only three bands and that is unfortunate. shelving in a fixed aigc'est say frquence (10k) and + or - 15 dB) and two semi paramtriques (that is to say that one little rgler the frquence (from 400Hz 6k) and + or - 15 dB) for the top and bottom mdium (60 Hz 1 k) is well dja but it lacks the fourth band!
there are only two Aux, there is no cutting down and is "not good not good!"
I have a diploma in sound technician (as some called "sound engineer" is a misnomer!)
tables while I pass the big even of obsessive, but also good for small inferior of that worthless and you cry when you let them!!
I have no trial date relate to the price quality ratio of the table which I would add just beginning to be part of Submitted and rubbish that they or those who want more than 150 are crooks! and what the price is what you really super state!
I think the price should not Exceeds 130!
about this choice, it is important not only Ouli First, the size of each portfolio has much to do! mine that the silent era plutt thin!
I think résumé for this table is not bad for any man studio owners who only bump rendering its decision will be correct now so its just Popaul record with his combine tomorrow and you're ben the street! h so that eight slices!
there are many mixers higher (more Chres) but not bad as below (more Chres too) then the budget is better to have a plutt some other tables on the market today! know that analog mixer and a few well worthy of the name is between 5 and 7000 new course!
musically Sylsicien
UTILIZATION
N / A
SOUNDS
N / A
OVERALL OPINION
N / A
ct of the special, it does not! it is all done ordinnaire nanmoins,
the sound is always clean exit, pramps are not bad (there are more of course but not taking it dnaturent) is not true on its own!
I love the faders 100, XLR and jack, direct outs, inserts and also taking rca cd to return or "tape" on each slice.
the four buses are also a QUIPS between (a gain) is an output (with pan) for each of them and it is! (Damage whatsoever in RCA), but even when we can put an effect on every bus or use the outputs as direct outs.
ffective corrections are only three bands and that is unfortunate. shelving in a fixed aigc'est say frquence (10k) and + or - 15 dB) and two semi paramtriques (that is to say that one little rgler the frquence (from 400Hz 6k) and + or - 15 dB) for the top and bottom mdium (60 Hz 1 k) is well dja but it lacks the fourth band!
there are only two Aux, there is no cutting down and is "not good not good!"
I have a diploma in sound technician (as some called "sound engineer" is a misnomer!)
tables while I pass the big even of obsessive, but also good for small inferior of that worthless and you cry when you let them!!
I have no trial date relate to the price quality ratio of the table which I would add just beginning to be part of Submitted and rubbish that they or those who want more than 150 are crooks! and what the price is what you really super state!
I think the price should not Exceeds 130!
about this choice, it is important not only Ouli First, the size of each portfolio has much to do! mine that the silent era plutt thin!
I think résumé for this table is not bad for any man studio owners who only bump rendering its decision will be correct now so its just Popaul record with his combine tomorrow and you're ben the street! h so that eight slices!
there are many mixers higher (more Chres) but not bad as below (more Chres too) then the budget is better to have a plutt some other tables on the market today! know that analog mixer and a few well worthy of the name is between 5 and 7000 new course!
musically Sylsicien
UTILIZATION
N / A
SOUNDS
N / A
OVERALL OPINION
N / A
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Tech. sheet
- Manufacturer: Fostex
- Model: 454
- Category: Analog Mixers
- Added in our database on: 11/18/2004
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Other names: model454