close
{{currentManName}}swap_horiz Avidswap_horiz Find a manufacturerkeyboard_arrow_down
Series

Avid Pro Tools

Avid Pro tools LE 7.0

Reviews Avid Pro Tools

AVID Pro Tools 11 Review

The Best Eleven On The Pitch? The war between the biggest audio sequencers in the market is raging. Apple has introduced Logic Pro X, Ableton Live 9, MOTU Digital Performer 8, Cakewalk Sonar X2 and Steinberg Cubase 7 (and that's without mentioning FL Studio 11 and Reason 7), but AVID wants to defend its territory and launches a counterattack in the form of Pro Tools 11. PT 11 versus the rest of the world! read more…

Avid Pro Tools 9 Review

Let There Be Light! It was THE event at the 2010 AES show in San Fran: the launch of Pro Tools 9 took center stage and generated a lot of expectations. Pro Tools 9 is not merely a simple update. It is in fact a small revolution for Avid, given that the famous DAW is now open to the external world — for the first time ever. read more…

User reviews on Avid Pro Tools products

No more bouncing in real time! (Avid - Pro Tools 11)

By sacchetta, 27/09/2014
Thats right, offline bounce lets you turn your track into a mixdown at up to 150X real time! Major selling point for Pro Tools 11 for sure. This is especially appealing to those who do audiobook or podcasting work. Not all is sunshine and rainbows with PT 11 (sorry to ruin your day). The latest edition of Pro Tools will NOT run your old 32-bit plug-ins (which was virtually all plug-ins at the time of release). Lets get to the specs and see what this version of Pro Tools has to offer:

-96/48/24 maximum simultaneous tracks @ 48/96/192 kHz
-192 kHz & 32-bit maximum
-32 inputs & 32 maximum simultaneous audio recording tracks
-128 instrument Tracks
-512 MIDI tracks
-128 auxiliary tracks
-256 busses
-1 video track
-Support of 64-bit plug-ins
-Offline bounce mode
-16k delay compensation
-60+ virtual instruments, effects, sound processing, & utility plug-ins
-Ultra low latency with a dedicated input buffer
-Extended metering
-New video engine
-Compatible with any core audio or ASIO compatible interface

SUITABILITY/PERFORMANCE

It's a solid build, I'll be the first to admit that. Running only 64-bit plug-ins will definitely improve your systems performance when using many plug-ins at the same time. And like I said before offline bounce, what a life saver. No more leaving your computer to sit for hours while you bounce down that audiobook chapter. Bouncing at 150X's real time will have the track ready before you know it. I have to confess, I have way to many plug-ins to switch over to PT 11. For now I just work within Pro Tools 10 and then bounce long files in PT 11.

Latency is attacked from a different angle in Pro Tools 11. A dual buffer system allows an input buffer for record-enabled or input-monitored tracks (among other things). A much lower value can be set for the latency, allowing low latency monitoring of input through plug-ins, and instant response when using soft synths live. A 16k delay compensation will help you monitor while you record a track.

Extended metering gives you 30% more meter space for those really fine adjustments. We've all done it before, battling with the gain knob because you can't seem to get the gain right. Well this isn't going to solve that problem, but it will help! This is extremely helpful for those who don't have the best eye sight or have their monitor too far away. Sadly only the HD version has the 13 extra metering options.

It is important to note that Pro Tools 11 is a 64-bit DAW, so do not buy it if you have a 32-bit system.

OVERALL OPINION

The thing I liked least about PT 11 and every version of Pro Tools, iLok. People will always figure out ways to steal the software and the only one that hurts is the person who pays for it. We are the ones who have to have a USB slot taken up (and have a small amount of CPU being used because it is plugged in). We are the ones who have to pay to a subscription service to have "zero downtime" or else we face hell trying to get our paid for licenses recovered. I must digress, this is the software I am best at using and so I must play by the rules.

Value for price, it's really hard to put a price on these things. You get the argument that says that people work so long on this, but are they the ones who are getting a percent of the profits? Or are the hard working deserving people at avid all on salary. With a price tag of $699 it's no cheap item. I don't personally know Avid's finances but I can imagine they are making some nice change at $699 a pop, especially since this is an industry standard. I received it as part of a free upgrade, which was great because I think I would have just stayed with Pro Tools 10 if I had to pay. You also have to consider the loss of some of your paid plug-ins. Say you bought some great sounding plug-ins in the past and spent a good amount, it can't feel great not being able to use them with your new DAW.

Lets not forget about the wonderful Avid Virtual Instruments package. With the new 64 bit plug-in system, your mini grand piano has never preformed so well. Seriously you need to try running Boom, Vacuum, Xpand and the Mini Grand.. all at once. I have yet to have Pro Tools stop the session before of an error with too many plug-ins.

Overall it's a great program, a few steps back may have been necessary to usher in the next step in digital recording.

Pros:
-64-bit program (running 64-bit plug-ins)
-Offline bounce allows you to bounce at up to 150X real time
-Extended metering

Cons:
-iLok, iLok, iLok
-No support for 32-bit plug-ins
-Will not work on your 32-bit computer
-If something goes wrong and you need support you will most likely have to buy a $30 call ticket (and potentially one for Pace (iLok))

****Notes****
-Due to licensing issues Avid has removed the Big Fish Audio loops from it's website.
»

Wicked Fast! (Avid - Pro Tools 11)

By avillarreal14, 15/10/2014
I got Pro Tools 11 for free because I bought 10 when I was a student at LA Recording School. This was pretty sweet. I had it installed on my 2012 MacBook Pro with 4GB of Ram, and on the 5400 RPM 500 GB internal hard drive. I had no problems with the setup and it was in fact really fast. Now, this version does not upgrade or uninstall your previous Pro Tools version. I have 10 and 11 and they both have their independent icons and folders.

I had no issues installing or running it for the first time. I had my laptop optimized to run with Pro Tools 10 according to Avid suggestions, but I also installed 11 on another computer that hadn’t been optimized, and it presented no problems during or after setup.

SUITABILITY/PERFORMANCE

The difference performance-wise between 10 and 11 is staggering. 11 uses the full capabilities of your computer. It loads fast, runs the sessions and virtual instruments like nothing. On 10 for instance, as soon as I record-enable a track, the fans of the computer would start revving up. This does not happen on 11. Not even during the recording of multiple tracks.

Of course, being 64-bit can far utilize better the resources of your computer than 10 could ever have.

OVERALL OPINION

Pro Tools 11 is the next logical step for Avid and for users. The new format of plugins is still troublesome for some because not every developer supports the new AAX64 format. The new metering options are terrific and the faders look cool too! I have the UAD plugins and the run perfect on this new version of Pro Tools. I would even dare to say that they sound better. Avid claims that this is true because of their new Audio Engine. I kinda believe them to some extent.

Pros:
- Excellent performance
- New metering options and looks
- New Avid plugin bundle

Cons:
- You need to upgrade your plugins to AAX64
»

Pro tools 12 : an outrage (Avid - Pro Tools 12)

By ensllc32, 15/11/2015
Avid resolutely keep with their delirious policy with Pro Tools 12 as a permanent internet connection of the workstation is now mandatory, which is only a thinly disguised way to spy even more on users. As a reminder, this update is out while version 11 is still not really complete - a consequence of their virtual monopoly on this market which itself owes a lot to many users' lack of curiosity. I've been a sound engineer for four decades now and have experienced many technological evolutions (including the shift from analog to digital), and I can assure that, had we reacted just like these fanboy Pro Tools users, we still would be stuck with mono optical sound.
Have a nice time making sound!
»

Free Pro Tools | First vs Studio One 3 Prime (Avid - Pro Tools First)

By RecoCham, 10/02/2017
I have been looking at the 'free' versions of leading DAW lately. I owned a PT 11 and have been working in it for my video production requirement though I am only a 'self learned engineer'. However, I could produce outstanding sound track part with the competition or even better. Studio One especially version 3 is a beautiful piece of software. It is light weight compared to many other competitor product. I like it a lot and in some areas it excels it competitors. Even though I would want to continue keeping Studio One as one of my DAWs, I miss few things which makes me think if I have to bring in S1 as my primary DAW. I am comparing Pro Toots | First and Studio One 3 Prime. Below are the major areas making me think.

Included Instruments and Plugins
Mixing Windows

I have recorded guitar and vocals using a dynamic mic - SM58 and condenser Rode NT1A. Both Pro Tools First and Studio One 3 Prime sounded equally good to my ears. However when I started adding effects, somehow S1 lacked something compared to PT First prima facie. Also when more tracks are added, S1 Prime seem to be bit behind in placing the tracks in its right place compared to PT First.

When it comes to the instruments, PT First has the same Xpand! available which is found in fully paid versions. The quality of instruments and the possibility of tweaking and customizing PT F and Xpand1 is far ahead of S1 Prime and Presence. Individually the many of the instruments sound good but to my ears, comparatively they lag behind the cutting edge pristine quality of Xpand!.

Another thing I struggle is the mixer section compared to PT. Many a times I am lost compared to the ease, clarify flexibility of the mixer section found in PT F. One window concept is good and compact especially when you have limitation of display span. This is my opinion based on the kind of work I do. However, S1 3 Prime, even though it comes free, is good enough for beginners to go forward with their work and later upgrade to S1 pro versions.

When comparing S1 3 Prime and PT F, one things needs to be seriously looked at, in my opinion. Would people prefer S1 3 Prime if PT First remove the restriction on maximum 3 projects? Though I have only pointed out few thing which put S1 ahead of competition, I have no doubt that it is a super piece of software with great functionality, solid performance with minimum to no headaches in small setups like I have.
»

News Avid Pro Tools

[NAMM] [VIDEO] Tom Graham about Pro Tools 12.5

Published on 01/23/16
Mike Levine interviews Avid's marketing manager Tom Graham about the cloud-collaboration features in the soon-to-be-released Pro Tools 12.5.

Avid updates Pro Tools to v12.3

Published on 11/09/15

Feature Articles Avid Pro Tools

[Video] Get Started with Pro Tools Editing

Published on 09/17/15
[Video] Get Started with Pro Tools Editing
When you're editing in Pro Tools, whether it's Pro Tools 12 or an older version, you won't get far if you don't understand how the edit modes and the main editing tools work. In this video we'll expl…

Power Tips for the Pro Tools Novice — Part 2

Learn How to Produce Music Faster and More Efficiently with Pro Tools

Forums Avid Pro Tools