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Electro-Harmonix Bass Big Muff Pi
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All user reviews of 5/5 for the Electro-Harmonix Bass Big Muff Pi

4.8/5
(23 reviews)
74 %
(17 reviews)
26 %
(6 reviews)
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Audience: Beginners Value For Money : Excellent
Users reviews
  • tubarttubart

    Electro-Harmonix Bass Big Muff PiPublished on 02/10/09 at 06:16
    (This content has been automatically translated from French)
    If necessary, a reminder:

    _INPUT
    _sortie "effect out" (um ... so signal Treaty)
    _sortie "dry" dry signal, to do what we want in its chain of effects, send it to a tuner, a second amp ...
    _LED Operation indicator
    _a 3-position switch:
    -dry: some serious, it can mix the dry sound of the bass with the signal processed by the big muff.
    -normal: normal ... the processed signal how big muff, not too serious
    -Bass boost: VERY serious ...
    _volume: uh ... volume
    _tone: fuzz tone so
    _sustain: the effect dosage

    _alimentation by sector (9 volt power supply) or battery INCLUDED IN THE ORIGINAL PEDAL: If you wish to power the pedal with an adapter, be sure to remove the battery …
    Read more
    If necessary, a reminder:

    _INPUT
    _sortie "effect out" (um ... so signal Treaty)
    _sortie "dry" dry signal, to do what we want in its chain of effects, send it to a tuner, a second amp ...
    _LED Operation indicator
    _a 3-position switch:
    -dry: some serious, it can mix the dry sound of the bass with the signal processed by the big muff.
    -normal: normal ... the processed signal how big muff, not too serious
    -Bass boost: VERY serious ...
    _volume: uh ... volume
    _tone: fuzz tone so
    _sustain: the effect dosage

    _alimentation by sector (9 volt power supply) or battery INCLUDED IN THE ORIGINAL PEDAL: If you wish to power the pedal with an adapter, be sure to remove the battery (not hatch, unscrew the back plate in order to access).
    For those who want to preserve the battery, can be better unplug the jack Input after playing to avoid discharging the latter.

    USE

    The parameters are not many but enough to ensure a fairly wide range of sounds, whether you are serious amateur, sound somewhat saturated, or super gritty fuzz. that side is direct access and no neural triturage.

    SOUND QUALITY

    So there, that's exactly what I wanted: a highly distinctive grain and granular wish. It is possible to stay very reasonable limiting the level of sustain. The two knobs "tone" and "sustain" enough between them to provide a wide range of sounds. After that, it seems to me difficult to earn a sustain beyond 12 and the switch to bass boost ... unless you want to shave the concert hall map ...
    Note that this pedal quite compresses the sound, the lack of attack can be felt, especially with a high sustain.

    NOTICE GLOBAL

    We recover the identity of the Electro Harmonix Big Muff, and this version "bass big muff" not only gives extra bass compared to the simple model "Big Muff" She seems much more suited to the bandwidth bass, the same settings on the traditional big muff give a more garish, less "low" (I mean instrument).
    Try it, it will not suit everyone, it's the fuzz, fuzz and in all its splendor. Personally, I at-DO-RE!
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  • GredinGredin

    Saturation while maintaining low

    Electro-Harmonix Bass Big Muff PiPublished on 09/24/14 at 08:18
    (This content has been automatically translated from French)
    The big, fat saturation or a violent attack is what you will have with this little gem. In addition you will keep the bass sound of your instrument, it has never been the case with my previous pedals. No lamp but a good grain anyway.

    UTILIZATION

    Fiddling with the buttons we discover several personalities to this pedal, you may as well use it to play for the Muse play the Grind-Core. The output without effect-it can be added or not with other pedals. The bass boost is excellent, being paid very low I never take it off to keep the deep bass frequencies.

    SOUND QUALITY

    I used to have a very low distortion sound, the pedal sustain longer while giving a fat grain to the whol…
    Read more
    The big, fat saturation or a violent attack is what you will have with this little gem. In addition you will keep the bass sound of your instrument, it has never been the case with my previous pedals. No lamp but a good grain anyway.

    UTILIZATION

    Fiddling with the buttons we discover several personalities to this pedal, you may as well use it to play for the Muse play the Grind-Core. The output without effect-it can be added or not with other pedals. The bass boost is excellent, being paid very low I never take it off to keep the deep bass frequencies.

    SOUND QUALITY

    I used to have a very low distortion sound, the pedal sustain longer while giving a fat grain to the whole.

    OVERALL OPINION

    Unbeatable quality / price rather different colors to play a wide range ... To try and adopt!
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  • StephencatelStephencatel

    Incredible!

    Electro-Harmonix Bass Big Muff PiPublished on 09/10/14 at 04:13
    (This content has been automatically translated from French)
    Analog fuzz pedal for bass with volume, tone and sustain, as well as three modes: dry (add the original sound signal) normal, and bass (useful when used with the bass)

    UTILIZATION

    Easy! I do not remember reading the manual, but this is not necessary, turn a few knobs to find the sound we like.

    SOUND QUALITY

    I bought this pedal for use on guitar, and I think it is even more effective with the latter; although on a low it does its job. The sound is very bold, very fuzz (logical) starting from a clean channel with the tube fully sustain and tone a little below noon we get a very big sound to good fat stoner, and putting on a "bottom amp" type overdrive, it screams, it's m…
    Read more
    Analog fuzz pedal for bass with volume, tone and sustain, as well as three modes: dry (add the original sound signal) normal, and bass (useful when used with the bass)

    UTILIZATION

    Easy! I do not remember reading the manual, but this is not necessary, turn a few knobs to find the sound we like.

    SOUND QUALITY

    I bought this pedal for use on guitar, and I think it is even more effective with the latter; although on a low it does its job. The sound is very bold, very fuzz (logical) starting from a clean channel with the tube fully sustain and tone a little below noon we get a very big sound to good fat stoner, and putting on a "bottom amp" type overdrive, it screams, it's magic, playing with the volume knob on the guitar something interesting and more manageable is obtained.

    OVERALL OPINION

    I use it for a little less than two years, and it's really a good deal, for € 60 you will not find anything comparable, I love the particular sound it offers, the ideal is of course the try before you buy, but be careful, she responded differently to different amps.

    I do not think the sale any time soon.
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  • StAmp!StAmp!

    I frissone every time!

    Electro-Harmonix Bass Big Muff PiPublished on 09/06/12 at 10:05
    (This content has been automatically translated from French)
    It's simple, it's good, it's solid (I think if you threw it at the top of the Eiffel Tower it pèterais not), it's big sound.
    A pedal as it changes life: 3 knob (volume, tone, sustain), a 3-position switch (Bass Boost, Normal, Dry) input, 2 outputs (one dry out).

    UTILIZATION

    As config 'there's no simple 3 knob as previously stated.
    Manual?! It is useless without laughter nothing to lose in three buttons.
    Switch with a little hard for my taste but not annoying when playing with shoes.

    SOUND QUALITY

    This is what I needed (I even think that's what SHOULD to all amateur big bass sound).
    Let me explain: I was looking for something very special, a distortion that is n…
    Read more
    It's simple, it's good, it's solid (I think if you threw it at the top of the Eiffel Tower it pèterais not), it's big sound.
    A pedal as it changes life: 3 knob (volume, tone, sustain), a 3-position switch (Bass Boost, Normal, Dry) input, 2 outputs (one dry out).

    UTILIZATION

    As config 'there's no simple 3 knob as previously stated.
    Manual?! It is useless without laughter nothing to lose in three buttons.
    Switch with a little hard for my taste but not annoying when playing with shoes.

    SOUND QUALITY

    This is what I needed (I even think that's what SHOULD to all amateur big bass sound).
    Let me explain: I was looking for something very special, a distortion that is not too rough (after distortion is a distortion) distortion especially one who does not drool too much is pleasant to the ear, there may be just a small grain of the bass sound relatively lowering the knobs and putting the Dry (command used to mix the two sound: its clear sound + drive).
    With a Precision Bass could miss a little heavy at certain time and style I play (punk rock / grunge) is perfect! The only problem is that this little beast feedback quickly when you do not play, just disable it.

    OVERALL OPINION

    This is only a few months, I am completely satisfied, it adds another dimension to our songs (this was THE thing that was missing). The sound is great if that is what we are looking for (ie to try before anyway), it's a shame that feedback quickly but little use to our advantage later, something else also damage a screwdriver is required to change a battery, you must remove the effect backplate.
    For the price / quality ratio I think only the fact enough to evoke the brand (cheap and good quality). To make a choice, to repeat, to repeat, repeat and repeat to ...........
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  • jeffkajeffka

    It works and is practical

    Electro-Harmonix Bass Big Muff PiPublished on 07/26/12 at 06:53
    (This content has been automatically translated from French)
    Not very complicated it is a raw apple Fuzz!

    UTILIZATION

    It's simple enough to use a knob volume, one tone and one knob Potar gain (fuzz drive). input and two output intrument Dry output and an output effect. A 3-position button.

    SOUND QUALITY

    A lot of options available to you friend bassist. You rule the sound that you like in normal mode (inter position norm.) And you have a big muff PI standard, you put on the knob Dry and you can mix the clear sound of your bass with the sound of the fuzz, and position bass boost I believe that there is no need for explanations.

    The two outputs are practices that can balance the sound of bass in two separate effects chains like …
    Read more
    Not very complicated it is a raw apple Fuzz!

    UTILIZATION

    It's simple enough to use a knob volume, one tone and one knob Potar gain (fuzz drive). input and two output intrument Dry output and an output effect. A 3-position button.

    SOUND QUALITY

    A lot of options available to you friend bassist. You rule the sound that you like in normal mode (inter position norm.) And you have a big muff PI standard, you put on the knob Dry and you can mix the clear sound of your bass with the sound of the fuzz, and position bass boost I believe that there is no need for explanations.

    The two outputs are practices that can balance the sound of bass in two separate effects chains like a ABY box.

    OVERALL OPINION

    I've had two years, coupled with a bass synth that allows for sounds to the muse or radiohead (myxomatosis) and it works well. I have not had the opportunity to test a lot of fuzz bass, but I really like this one
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  • sebby lowsebby low

    FFFFFFFFFFFFRRRRRRRRRRR

    Electro-Harmonix Bass Big Muff PiPublished on 07/09/12 at 08:46
    (This content has been automatically translated from French)
    Analog pedal very simple and robust (metal)!
    A single FUZZ effect, a jack, two jack outputs (1 for mono and a dry out for a second amp without the effect is applied) and a 9 V power supply

    UTILIZATION

    It's very simple ... not need to read the manual!
    3 knobs volume (output level), tone (manages the desired frequency low / medium / high) and sustain (the dose fuzz) ... not any easier than that!

    A switch to choose between three modes: dry (if one wants to separate its signal, I tested it's deadly but need 2 amps!) Normal or bass boost that will give you a bigger sound with more frequencies.

    SOUND QUALITY

    This is a very complete and fuzz made larger sound and frien…
    Read more
    Analog pedal very simple and robust (metal)!
    A single FUZZ effect, a jack, two jack outputs (1 for mono and a dry out for a second amp without the effect is applied) and a 9 V power supply

    UTILIZATION

    It's very simple ... not need to read the manual!
    3 knobs volume (output level), tone (manages the desired frequency low / medium / high) and sustain (the dose fuzz) ... not any easier than that!

    A switch to choose between three modes: dry (if one wants to separate its signal, I tested it's deadly but need 2 amps!) Normal or bass boost that will give you a bigger sound with more frequencies.

    SOUND QUALITY

    This is a very complete and fuzz made larger sound and friendly.
    We make little rock 60's / 70's, the English pop, the big rock (Muse ...), smelting (Rage Against The Machine) I use it even on Hardcore ...

    We manage the little fuzz very slowly and play the tone to find the sound that seeks long as he has the fuzz ...

    I use it mainly with a precision American / Mexican Jazzbass a / T-bird and a pro in all five strings with a serious B.

    OVERALL OPINION

    2 years and bananas .... I tested some stuff, but I remember quite what either because it dates and more at this time I was testing all sorts of stuff (distortion, overdrive ...)!

    I love the possibilities it offers very large and dry mode (tested one day absolutely!) The mix of sound and pure sound with fuzz 2 amps is deadly!

    It is a model that I have already recommended to friends bassists (which I do not blame that I know!) Because its price is very affordable for the qualities he possesses. I most certainly do it again this choice.
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  • Captain DannyCaptain Danny

    Good Fuzz

    Electro-Harmonix Bass Big Muff PiPublished on 07/08/12 at 10:08
    (This content has been automatically translated from French)
    Pedal Overdrive / Fuzz EHX analog home.

    Non-editable sounds (analog) and non rackable product (bah ... what is a pedal).

    One input and two output jacks (an effect and a dry, which will be able to mix the exact mix of bass and distorted the original signal, in the studio recording two tracks simultaneously, or live with two amps but the latter option is not very interesting indeed), a standard 9V power supply input.

    Everything is true bypass.

    UTILIZATION

    The general configuration is very simple with three knobs:

    A volume-,
    -A general tone
    -A gain knob (Sustain)

    and a 3 position switch:

    -Normal (saturation is linearly across the audio spectrum)
    -Bass Boost (a …
    Read more
    Pedal Overdrive / Fuzz EHX analog home.

    Non-editable sounds (analog) and non rackable product (bah ... what is a pedal).

    One input and two output jacks (an effect and a dry, which will be able to mix the exact mix of bass and distorted the original signal, in the studio recording two tracks simultaneously, or live with two amps but the latter option is not very interesting indeed), a standard 9V power supply input.

    Everything is true bypass.

    UTILIZATION

    The general configuration is very simple with three knobs:

    A volume-,
    -A general tone
    -A gain knob (Sustain)

    and a 3 position switch:

    -Normal (saturation is linearly across the audio spectrum)
    -Bass Boost (a big boost of low end)
    -Dry (in this mode, regardless of the upstream equalization, have recovered a lot of bass frequencies, and saturation applies to higher frequencies, it manages the presence of saturation with the volume knob).

    The manual is concise (little leaf color so dear to EHX) and no use of any not so much.

    Editing sounds is easy.

    SOUND QUALITY

    So here we have an Overdrive / Fuzz, I must admit I do not like letting down the gain on this pedal, in fact, well settled in Overdrive I find little convincing, it sounds cold and synthetic compared to my TS9B. It still sounds warmer than ODB-3 but is still far from equaling the Overdrives upscale market (Okko Basstard, Blueberry MP, Ibanez TS9B, etc ...).

    On the other hand pushed more than 50% of the couse of the Sustain knob is a real treat. I am using this pedal as that of Fuzz. This is far more filthy than any overdrive but too little gain to fall into anything (such Feedback and controllable breath galore) a MXR El Grande example.
    In short with the gain pushed the fuzz is a controlled and relatively clean (I understand).
    The Big Muff sound is typed (a grain strange-sounding synthetic but which shows still some heat and some organicity) and love it.
    The downside is that the Big Muff sound does not really fuzz versatile, especially when combined with other effects.

    The tight controls are not doing either a model of versatility but you can get a lot of different sounds by playing on the tone knob, and the switch at the fuzz, it will play simultaneously on the volume knobs and Sustain, which is a fault, let me explain: for some distorted sounds I have to play the knob to "Sustain" AND the volume knob (as in many pedals saturation in fact). So, often, my overdrive sound is stronger or weaker than my clean sound, not a problem if the pedal is engaged an entire song (just adjust the volume to the amp concerver for the rest of the level set), but if you must activate it during a song That can cause problems (boost volume much louder than what you want or, conversely, loss of volume, etc ...). Problem can be solved with a volume pedal to complement but hey, I do not like to sweat to handle 36,000 to sol.Problème stuff I therefore rule by playing on many other parameters (volume at low , to the amp, changing playing technique, etc. ...).

    I forgive him these inconveniences because any fiddling with the config settings for hours to find the perfect balance, it is the prerogative of any good enthusiast. xD
    I forgive him because I'm a fan of this grain "Big Muff" and I could not do without.

    I use only methods and Dry Bass Boost, which adds depth to the groundwater. Besides, the Normal mode will seem well pâlichon. And if you are bassist you know too much bass, it's never enough (well I admit Bass Boost mode with Tone knob turned to the left does not much listenable).

    And always set the gain between 13h and thoroughly celon the fuzz I research (as discussed above, does not like the sound of the pedal with low gain) and in addition have to play on the damn volume knob who do suffer my general levels.

    OVERALL OPINION

    I use it for some months now.

    I used the templates that you can see stuff in my column.

    I like its texture so special, I do not like his lack of versatility sometimes, it gives the sound combined with some other purpose (a job where I excelled ODB-3), and pull my hair out to find if these beautiful fuzz whose levels are not always adapted to the context where I want to integrate them (well in the studio, we do not care, we take the grain, the sound of fuzz and adjust the volume of the track as they please at the mix, but live, more than one sound engineer has tapped the head against the wall with me and my BBM)

    The quality / price ratio is simply the best market, as with many products at EHX.

    I would do this Chois closed eyes a hundred times without hesitation.
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  • Pauline Amélie PopsPauline Amélie Pops

    Electro-Harmonix Bass Big Muff Pi

    Electro-Harmonix Bass Big Muff PiPublished on 07/07/12 at 11:10
    (This content has been automatically translated from French)
    Control Volume / Tone / Sustainer
    Switch Boost / Dry
    2 Output Jack (Dry / Effect)
    Optional 9.6V 200mA power.

    UTILIZATION

    Configuration and setting the disto super simple. Nothing to say!

    SOUND QUALITY

    A pedal that fully respects the sound low. No loss in the bass!
    I did not play "nag", it allows to be subtle while keeping the power when the time comes ... (Eg post-rock ...)

    OVERALL OPINION

    I have been using 3, 4, no worries, nickel. A format convenient to carry and still as beautiful design, true to Electro-Harmonix.
    I love this brand. I am never disappointed ...
    Read more
    Control Volume / Tone / Sustainer
    Switch Boost / Dry
    2 Output Jack (Dry / Effect)
    Optional 9.6V 200mA power.

    UTILIZATION

    Configuration and setting the disto super simple. Nothing to say!

    SOUND QUALITY

    A pedal that fully respects the sound low. No loss in the bass!
    I did not play "nag", it allows to be subtle while keeping the power when the time comes ... (Eg post-rock ...)

    OVERALL OPINION

    I have been using 3, 4, no worries, nickel. A format convenient to carry and still as beautiful design, true to Electro-Harmonix.
    I love this brand. I am never disappointed ...
    See less
  • KirKillKirKill

    Russian Big Muff v8?

    Electro-Harmonix Bass Big Muff PiPublished on 02/24/12 at 11:24
    (This content has been automatically translated from French)
    all is said on the comments above I have nothing to add
    The model of the Bass Big Muff is also called BBM version 11 in the history of Big Muff pedal, created since 2008 for bassists playing on the Big Muff PI, the BBM is based on the Russian model popular in bassists of the world

    UTILIZATION

    RAS

    SOUND QUALITY

    I use it on a Fender bass and Jbass Pbass with an amp Ashdown Evo
    In normal mode it is the sound of the big muff russian v8 button style chicken with black knob, proof?
    http://www.kitrae.net/music/big_muff_history2B.html # SmallBlackRussian the comparison is made with a guitar, a whisker we believe it ... after the other will say it's not the same ... etc. …
    Read more
    all is said on the comments above I have nothing to add
    The model of the Bass Big Muff is also called BBM version 11 in the history of Big Muff pedal, created since 2008 for bassists playing on the Big Muff PI, the BBM is based on the Russian model popular in bassists of the world

    UTILIZATION

    RAS

    SOUND QUALITY

    I use it on a Fender bass and Jbass Pbass with an amp Ashdown Evo
    In normal mode it is the sound of the big muff russian v8 button style chicken with black knob, proof?
    http://www.kitrae.net/music/big_muff_history2B.html # SmallBlackRussian the comparison is made with a guitar, a whisker we believe it ... after the other will say it's not the same ... etc. is true that the best blah .... brief "no comment"
    The Bass Boost mode we forget a slurry
    Dry mode: exciting pity there is not a button to adjust ... but good on the Russian model in normal mode it is not like that Dry is set for those who love moaned on this mode
    For fans of Muse (Chris Wolstenholm) do not take the new Big Muff v9 or v10, it has nothing to do, go for more on that one

    OVERALL OPINION

    As owner of the Big Muff and the Russian v8 Bass Big Muff, I admit that I like the true collector's side, but if it is used to take with farts, removed more than 100 € without box and without any warranty as most manufactured since 2009 as head right over to the Bass Big Muff because for her it is almost identical
    I mostly taken for tested and replaced my Big Muff Russian v8, I confess I am not disappointed because the repair of my old pedal cost me almost as much as a Bass Big Muff so far stopped the costs
    The quality / price is very reasonable € 70 in-store, cons for those who have a little way, try Zvex Mastotron ... worth the trip on bass
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  • GaEL05GaEL05

    Very good pedal!

    Electro-Harmonix Bass Big Muff PiPublished on 11/11/11 at 05:52
    (This content has been automatically translated from French)
    Pedal overdrive / fuzz
    3 knobs: Volume (boost) - Tone (Bass) and Sustain (acute)
    A bypass
    3 switches: Bass Boost - Normal - Dry
    An instrument input and 2 outputs
    DC 9V power supply or battery

    Metal Case, I think that jumping from the 3rd floor of the Big Muff that will always be ready!

    UTILIZATION

    Config simple but effective, the small switch (Normal, Bass Boost, Dry) is very significant, it can boost the sound or not, its really the finishing touches. Can be obtained thanks to sound really different than it

    SOUND QUALITY

    (I play on: SWR LA12 Bass + Fender Mex Deluxe)
    The sound is very nice, but depending on what you really want get there step by step to…
    Read more
    Pedal overdrive / fuzz
    3 knobs: Volume (boost) - Tone (Bass) and Sustain (acute)
    A bypass
    3 switches: Bass Boost - Normal - Dry
    An instrument input and 2 outputs
    DC 9V power supply or battery

    Metal Case, I think that jumping from the 3rd floor of the Big Muff that will always be ready!

    UTILIZATION

    Config simple but effective, the small switch (Normal, Bass Boost, Dry) is very significant, it can boost the sound or not, its really the finishing touches. Can be obtained thanks to sound really different than it

    SOUND QUALITY

    (I play on: SWR LA12 Bass + Fender Mex Deluxe)
    The sound is very nice, but depending on what you really want get there step by step to create a balance between the bass and treble. Once everything is found on the nickel!
    However, I re-setting on my amp and my JB because I had not wanted her out with my pedal settings.
    One can easily have a sound approaching Hysteria (Muse) or Cliff Burton, and it's pretty cool! In addition, the Jazz Bass sends really hard with his preamp and pickup balance, sends his grave what!

    OVERALL OPINION

    Very good value for money, quality is present. I bought a little closed eyes: I was looking a little overdrive to make the case, I'm not disappointed! The settings are accurate, we can have a big sound as fat as a well dry!
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  • steeven vénèresteeven vénère

    spit it!

    Electro-Harmonix Bass Big Muff PiPublished on 10/24/11 at 02:51
    (This content has been automatically translated from French)
    Pedal distortion / fuzz bass legend, everyone knows (or so) this monster.
    Adjustment levels, simple and efficient (at least to understand), one volume, one tone, sustain, and a 3 position switch.
    An input and 2 outputs (one normal, one dry).
    And the machine seems to be a real tank: test, we start off, magical, it still works (try a little extreme)

    UTILIZATION

    the simplest configuration, a branch is allumme the amp is played by fiddling the knobs and the switch and quickly found her a simpa (after finding the sound is a bit longer).
    We can do without the manual (in English), but read it brings some clarifications, especially for the dry mode.
    Super simple in comparison w…
    Read more
    Pedal distortion / fuzz bass legend, everyone knows (or so) this monster.
    Adjustment levels, simple and efficient (at least to understand), one volume, one tone, sustain, and a 3 position switch.
    An input and 2 outputs (one normal, one dry).
    And the machine seems to be a real tank: test, we start off, magical, it still works (try a little extreme)

    UTILIZATION

    the simplest configuration, a branch is allumme the amp is played by fiddling the knobs and the switch and quickly found her a simpa (after finding the sound is a bit longer).
    We can do without the manual (in English), but read it brings some clarifications, especially for the dry mode.
    Super simple in comparison with other pedals with 5 or 6 knobs (the Boss ODB-3 for example)

    SOUND QUALITY

    So there you have to love the saturation disgusting, it's sending a very big win (even try a drop in scratches, you can go to a very brutal style).
    The sound is rather special, but the sound of the big muff.
    The sound can range from very severe (to the point of lacking definition) in acute (where you lose all the bass).
    For the distortion, even sustain (the knob that controls the saturation level) almost a minimum, it sends a very heavy bottom I even speak.
    In normal position, the sound was "normal" of the pedal, ideal puor those who want to radically change their sound from the clean, and that the serious cash pretty good (try yesterday with a group with his bass player looking for a very serious , Ibanez GSR200 with a serious boost to the bottom and a Hartke with eq I find particular: low to bottom, the rest zero, the big muff had the effect of redressing the high notes could be heard not without loss significant low frequency)
    For the bass boost mode was the same sound, but with a serious stir boyeaux (sending too much bass for my taste)
    The dry ets one I use all the time, it preserves the sound of the amp, adding that of the pedal, a feast with my ampeg SVT3 and my fender PRESION low 50's (regulation of amps: low acute , gain, master at noon, mid-bottom, bright switch to the pedal: volume 1:30, as the tone, sustain at 9 am, the sound is no shortage of potatoes in my punk / rock)

    OVERALL OPINION

    Used since August 2011 after trying the boss ODB-3 (good pedal, but missing a few balls for my taste) what attracted me is the sound that mnque no safe and beautifully made his taff in my bass sound (cec that either repeats or live, it is never turned off), the only damage that I put to the rule is that the hair should be already set its amplifiers.
    Otherwise, the new price is quite affordable for a pedal of this caliber (80 €)

    If I had the means, I'll test tube saturation (and I still even know if I have not taken the big muff), a choice again if it falls in the harbor, and saw the craft, I do not think it happens any time soon
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  • TheShield!TheShield!

    Exellent!

    Electro-Harmonix Bass Big Muff PiPublished on 09/28/11 at 01:01
    (This content has been automatically translated from French)
    It's a fuzz pedal for bass
    Volume control, tone and sustain (same as gain or drive)
    And also 3-position switch dry, normal, bass boost

    UTILIZATION

    Manual clear and simple config
    Easy for users to adjust pedals confirmed for beginners can be looking at the manual to understand the use of the 3 position switch.

    SOUND QUALITY

    Then! the slap! the sound is great if you like playing the style of Muse stuff, or solos or even Cliff Burton do a lot of amazing solo with the wah for you will open a new world with your bass!
    You can have a sound identical Cliff Burton especially on the album Master Of Puppets! Just put a lot of volume to the serious tone and sustain short …
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    It's a fuzz pedal for bass
    Volume control, tone and sustain (same as gain or drive)
    And also 3-position switch dry, normal, bass boost

    UTILIZATION

    Manual clear and simple config
    Easy for users to adjust pedals confirmed for beginners can be looking at the manual to understand the use of the 3 position switch.

    SOUND QUALITY

    Then! the slap! the sound is great if you like playing the style of Muse stuff, or solos or even Cliff Burton do a lot of amazing solo with the wah for you will open a new world with your bass!
    You can have a sound identical Cliff Burton especially on the album Master Of Puppets! Just put a lot of volume to the serious tone and sustain short hop and you're done! If you like the pedal is fierce solos for you! By increasing the sustain you can run to a new world! Really interesting

    OVERALL OPINION

    Since July, and yes I tried many things before the big muff guitar version but it was far less powerful ... I like the feature + is its versatility and the sound it makes is huge!
    Yes I would do it again and choose the quality / price is worth it!
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  • SweBassSweBass

    Electro-Harmonix Bass Big Muff PiPublished on 08/18/08 at 03:52
    (This content has been automatically translated from French)
    Input, Effect Out, Dry Out (which toggles the sound effects with sound clean through 2amplis)
    3 knobs: Volume, Tone and Sustain
    1 switch with 3 positions:
    position from the top "Bass Boost" that adds to the low frequency distortion.
    middle position "Norm" is the sound of the Big Muff's standard.
    position of the bottom: "Dry" that adds to the clean signal distortion

    UTILIZATION

    Operation is simple, big muff 3potards of standard, you branch it sounds.
    I put a note for the simplicity of it, but for this new switch that provides many more opportunities than other big muff for the use of a bass.

    SOUND QUALITY

    Norm mode: the sound of a big muff standard fuzz enou…
    Read more
    Input, Effect Out, Dry Out (which toggles the sound effects with sound clean through 2amplis)
    3 knobs: Volume, Tone and Sustain
    1 switch with 3 positions:
    position from the top "Bass Boost" that adds to the low frequency distortion.
    middle position "Norm" is the sound of the Big Muff's standard.
    position of the bottom: "Dry" that adds to the clean signal distortion

    UTILIZATION

    Operation is simple, big muff 3potards of standard, you branch it sounds.
    I put a note for the simplicity of it, but for this new switch that provides many more opportunities than other big muff for the use of a bass.

    SOUND QUALITY

    Norm mode: the sound of a big muff standard fuzz enough fat
    Bass Boost mode: I was a little disappointed, I expected more bass added. Nevertheless, this mode provides more fat distortion. the sound is very good, but do not abuse the tone and sustain knobs in this mode here, otherwise the distortion becomes uncontrollable.
    Dry Mode: that happiness! My Precision bass (Mexican Standard) with the volume and tone background, it feels really punch my Plow through the big muff, it's really huge! I have no favorite settings, they are all really good ...

    OVERALL OPINION

    I have a tc electronic vintage distortion that simulates the tube, and I needed a Big Muff for a little more modern stuff and hardcore, while keeping my tc electronic tips for vintage / indie. I bought a Russian, the sound was good but the loss was considerable low ... impossible to play in a group with. so I sold it to a friend guitarist to learn that the bass big muff was out. And in this new big muff, I find the grain of the Russian, better defined, with more possibilities and of course no loss of bass fishing and in "dry" ... what more? : D
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  • bdkbossbdkboss

    Electro-Harmonix Bass Big Muff PiPublished on 06/03/09 at 03:37
    (This content has been automatically translated from French)
    Fuzz bass with three mode (dry, normal and low boost), and 3 knobs (volumen, tone and sutain)
    analog pedals (EHX thank you)
    between a jack, two output (one for the other's respect for its clean)

    UTILIZATION

    Very practical format
    it was soon the sound you're looking (as far as we want the fuzz), but we must understand the fonctiionement of the beast that is slightly DIFFERENT from that of her older sister amricaine ... well bone up your English and read the instructions ^ ^

    SOUND QUALITY

    After mastering the pedals that's exactly what I wanted, I am a follower of the "Muse" and compares the version amricaine guitar is finally good bass!
    I play with a Fender Delux…
    Read more
    Fuzz bass with three mode (dry, normal and low boost), and 3 knobs (volumen, tone and sutain)
    analog pedals (EHX thank you)
    between a jack, two output (one for the other's respect for its clean)

    UTILIZATION

    Very practical format
    it was soon the sound you're looking (as far as we want the fuzz), but we must understand the fonctiionement of the beast that is slightly DIFFERENT from that of her older sister amricaine ... well bone up your English and read the instructions ^ ^

    SOUND QUALITY

    After mastering the pedals that's exactly what I wanted, I am a follower of the "Muse" and compares the version amricaine guitar is finally good bass!
    I play with a Fender Deluxe Aerodyne, a Rocktron compressor, a cry baby and a bass amp Ashdown Mag 300-115
    I do have preferences for a Dry mode where you can hear the sound clean, has added precision to the sound of

    OVERALL OPINION

    I have since it came out
    I love how dry but others are good too
    I tried all the models that I could (Boss, Ashdown, Digitech, Danelectro), but j'aodre EHX
    qualitpris the report is very good for such a factory pedals
    I would do, of course, this choice
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  • madmax669madmax669

    Electro-Harmonix Bass Big Muff PiPublished on 06/21/11 at 08:55
    (This content has been automatically translated from French)
    pedal fuzz / distortion to LOW
    Volume control, tone and sustain.
    Swith Bass Boost / Dry
    2 outputs (dry and its effect)
    (I buy a power supply spot)

    UTILIZATION

    very simple configuration for a user to pedal confirmed plan to read the manual to understand the system of dry 3-position switch for a novice.
    the settings are easy as long as his bass and his / her amps are set.

    SOUND QUALITY

    The sound of the Big Muff fuzz is, and nothing to do with the sound produced craddas no lower than the guitar (I still do not understand why all these that the bassist was using before).

    For my part I use a Cort A4 and an Ashdown MAG 300H + stack
    410t MAG MAG 115T Deep Cabin…
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    pedal fuzz / distortion to LOW
    Volume control, tone and sustain.
    Swith Bass Boost / Dry
    2 outputs (dry and its effect)
    (I buy a power supply spot)

    UTILIZATION

    very simple configuration for a user to pedal confirmed plan to read the manual to understand the system of dry 3-position switch for a novice.
    the settings are easy as long as his bass and his / her amps are set.

    SOUND QUALITY

    The sound of the Big Muff fuzz is, and nothing to do with the sound produced craddas no lower than the guitar (I still do not understand why all these that the bassist was using before).

    For my part I use a Cort A4 and an Ashdown MAG 300H + stack
    410t MAG MAG 115T Deep Cabinet and Deep Cabinet. The sound is as I wanted.
    I even try on my Roland Cube-60 Bass and the sound is there.

    OVERALL OPINION

    I use it since its release, I try it for guitar and there were no pictures, there's not much to complain, may be powerful enough clicks the switch when it is active ( not in treatment but the mechanism even read)
    value for great price, if it was a remake.
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