Log in
Log in

or
Create an account

or
News

[Musikmesse] PreSonus StudioLive

Enlarge
Add this product to
  • My former gear
  • My current gear
  • My wishlist
PreSonus StudioLive 16.4.2
Images
1/491
News PreSonus StudioLive 16.4.2

Digital Mixer from PreSonus belonging to the StudioLive series

PreSonus Audio Electronics has announced StudioLive™ 16.4.2 Digital Performance and Recording Mixer.


It features sixteen high headroom XMAX microphone preamplifiers, built-in 22×18 FireWire recording and playback engine, “Fat Channel” processing with 4-band EQ’s, compressors, limiters and gates, DSP effects, six aux buses, four sub-groups, extensive LED metering, talkback and much more.

They tell us that StudioLive seamlessly integrates a powerful and easy-to-use digital mixer with a complete multi-channel recording system delivering the most creative environment available for both live performance and studio music production.

This is what PreSonus has to say about the mixer:

Analog Inputs and Outputs
Sixteen class A, high-headroom, low-noise XMAX microphone preamplifiers are featured on StudioLive. All sixteen channels of StudioLive include line input, balanced inserts and balanced direct output. StudioLive includes six balanced auxiliary sends and two dedicated auxiliary effects sends for flexible monitor mixes and aux effects. Four subgroups are also included. Two sets of balanced main outputs as well as control room outputs are located on the back panel.

Digital Conversion
Analog input and output is converted to digital audio with the digital converters available delivering dynamic range of +118dB.

Digital Mixing
StudioLive features a “QuickTouch” design allowing fast access to every parameter, mix, effect, and aux, allowing quick and creative control during music production. Load and save functions are also included to create snapshots of channel settings, save effect settings, totally recalling a mix, and more. All digital mixing and effects processing is done with 32-bit floating point precision for unmatched musicality.

Fat Channel
The heart of StudioLive is the “Fat Channel” engaged by pressing any “select” button, and features extensive equalization and dynamics available to every input channel, every aux output, every subgroup output, and main output. High pass filter, and four-band semi-parametric equalization algorithms are based on PreSonus’ custom — designed digital EyeQ™ equalizer, delivering extremely musical results. Also included in the Fat Channel are compressors, limiters and gates modeled after PreSonus’ award-winning ACP88 for complete dynamics control.

DSP Effects
Two programmable 24-bit stereo DSP effects engines are loaded in StudioLive with a wide range of reverbs, delays, and time-based effects with easy to use parameter adjustment, tap tempo, store, recall, and scene selection for ultimate creative flexibility.

Metering
Fast-acting LED metering is displayed all over StudioLive for quick and easy viewing of settings, parameters, inputs levels, gain reduction, and more. Fat Channel metering displays EQ frequency, cut/boost, as well as compressor and limiter gain reduction. Main meters can be switched between a number of viewing modes including input, output, gain reduction, main mix and pan.

Talkback Communication
StudioLive has a comprehensive Talkback system that enables direct communication with each stereo aux mix separately. This allows communication between the mixer and the musicians using in-ear monitors without disturbing other performers during a performance or recording session.

22X18 FireWire Recording
StudioLive includes PreSonus’ award-winning FireWire technology with JetPLL™ synchronization delivering 22 channels of recording and 18 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre or post Fat-Channel signal processing giving total flexibility and power. StudioLive can also return 18 FireWire playback channels from your recording and production software for remixing and live performance with pre-recorded tracks, as well as studio mixing using the mixer’s internal signal processing and summing algorithms.

Multi-Track Recording Software — Capture
StudioLive also ships with Capture multi-track recording software for Macintosh and Windows based computers. Capture software was specifically designed to interface with StudioLive perfectly and allow instant setup and recording of performances. Capture also gives the user full editing capability and export to wav file formats for complete compatibility with ProTools, Cubase, Logic, Sonar and others. With the look and feel of industry standard digital multi-track hard disk recorders, Capture is instantly familiar to every musician and engineer.

“This is the perfect mixing board for the serious band, nightclub, small church, and home studio, ” says Director of Marketing Brad Zell. “It opens the door to record every show, record in the studio as well as use recorded tracks during performances — bringing the cool sounds, beats, and effects to the gig.”

StudioLive Key Features:

  • 16 inputs, 6 auxiliary mixes, 4 subgroups

  • 16 class A XMAX microphone preamplifiers

  • Hi-Definition analog to digital converters (118dB dynamic range)

  • Unlimited headroom 32-bit floating point digital mixing and effects processing

  • 22×18 FireWire digital recording interface

  • Compact 19" rack-mountable rugged steel chassis

  • Fat Channel Select; High Pass Filter; Compressor; Limiter; Gate;4-band semi parametric EQ; Pan; Load/Save/Copy/Paste

  • 2 Master DSP Effects (reverbs, delays, time-based effect, with load/save)

  • Load/Save Mixer “Scenes” — all settings

  • 100mm long throw faders

  • Military grade quick touch push buttons

  • Fast-acting LED meters

  • Talkback communication system

  • Capture multi-track recording software



For more information, visit their web site at www.presonus.com.
Be the first to post a comment about this news item

    Viewers of this article also read...