Buy new Sennheiser e 935
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4.9/5(7 reviews)
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Anonymous Published on 07/19/11 at 01:56
The Sennheiser E 935 is, if Sennheiser is to be believed, the bigger sibling of the E 835. Sennheiser claims that the E 935 has a very high output, and I, personally, think that the hotter a live vocal microphone, the better! This review will go into the microphone.
The Sennheiser E 935 is a dynamic microphone specifically tailored for live vocal performance. It has a cardioid response pattern, which is pretty standard. What I can write home about however is its frequency response; it is extended from the venerated SM58's 50-15,000 Hz response, to a very, very nice and complete 40-18,000 Hz. What I find particularly nice about the Sennheiser E 935 is the way it flatters vocals....…
The Sennheiser E 935 is a dynamic microphone specifically tailored for live vocal performance. It has a cardioid response pattern, which is pretty standard. What I can write home about however is its frequency response; it is extended from the venerated SM58's 50-15,000 Hz response, to a very, very nice and complete 40-18,000 Hz. What I find particularly nice about the Sennheiser E 935 is the way it flatters vocals....…
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The Sennheiser E 935 is, if Sennheiser is to be believed, the bigger sibling of the E 835. Sennheiser claims that the E 935 has a very high output, and I, personally, think that the hotter a live vocal microphone, the better! This review will go into the microphone.
The Sennheiser E 935 is a dynamic microphone specifically tailored for live vocal performance. It has a cardioid response pattern, which is pretty standard. What I can write home about however is its frequency response; it is extended from the venerated SM58's 50-15,000 Hz response, to a very, very nice and complete 40-18,000 Hz. What I find particularly nice about the Sennheiser E 935 is the way it flatters vocals. Personally, with a richer voice, the Sennheiser E 935 is very good compared to all of the Shure microphones on my voice, from the SM57, SM58, Beta 57A, and Beta 58A, as even though both Beta microphones do mitigate the midrange muddiness of the SM58, neither do so well as the Sennheiser E 935.
What is especially nice about the Sennheiser E 935 is its hot output. I dislike cranking up the gain of the pre amps in order to get a usable signal out of the less high output microphones like the Shure SM58, as not every venue has a preamp nice enough to do so without introducing very noticeable noise. This is a huge plus, and it is also apparently a big deal to Sennheiser; the slogan for the microphone mentions its high output.
OVERALL OPINION
The Sennheiser E 935 is a little higher output than the E 835, which is already quite a fantastic microphone at the same price as the SM58. This is a little more, on par with the Betas, and it blows them out of the water as a vocal microphone. I am not, however, familiar with using them as workhorse microphones. So if you need a workhorse and can't try any microphones, the Shures are safer bets, but this will surely excel on a voice, especially if it's a richer one.
The Sennheiser E 935 is a dynamic microphone specifically tailored for live vocal performance. It has a cardioid response pattern, which is pretty standard. What I can write home about however is its frequency response; it is extended from the venerated SM58's 50-15,000 Hz response, to a very, very nice and complete 40-18,000 Hz. What I find particularly nice about the Sennheiser E 935 is the way it flatters vocals. Personally, with a richer voice, the Sennheiser E 935 is very good compared to all of the Shure microphones on my voice, from the SM57, SM58, Beta 57A, and Beta 58A, as even though both Beta microphones do mitigate the midrange muddiness of the SM58, neither do so well as the Sennheiser E 935.
What is especially nice about the Sennheiser E 935 is its hot output. I dislike cranking up the gain of the pre amps in order to get a usable signal out of the less high output microphones like the Shure SM58, as not every venue has a preamp nice enough to do so without introducing very noticeable noise. This is a huge plus, and it is also apparently a big deal to Sennheiser; the slogan for the microphone mentions its high output.
OVERALL OPINION
The Sennheiser E 935 is a little higher output than the E 835, which is already quite a fantastic microphone at the same price as the SM58. This is a little more, on par with the Betas, and it blows them out of the water as a vocal microphone. I am not, however, familiar with using them as workhorse microphones. So if you need a workhorse and can't try any microphones, the Shures are safer bets, but this will surely excel on a voice, especially if it's a richer one.
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moosehermanGreat Vocal mic for live shows!
Published on 01/31/11 at 19:43This is a dynamic microphone that can be used in the studio or live. It has a cardioid pickup pattern and has a consistent response between off-axis and on-axis mic placements. It happens to be Robert Randolph's vocal mic of choice, which is how I originally discovered it.
It's frequency response is between 40 -18000 Hz and it has a pretty solid frequency response all around. There aren't any frequencies that are particularly emphasized over another which makes it a good mic for catching the full spectrum of a source signal.
OVERALL OPINION
I know this mic primarily as a vocal mic for both singers and public speakers. I've found that it works great in both settings but especially well...…
It's frequency response is between 40 -18000 Hz and it has a pretty solid frequency response all around. There aren't any frequencies that are particularly emphasized over another which makes it a good mic for catching the full spectrum of a source signal.
OVERALL OPINION
I know this mic primarily as a vocal mic for both singers and public speakers. I've found that it works great in both settings but especially well...…
Read more
This is a dynamic microphone that can be used in the studio or live. It has a cardioid pickup pattern and has a consistent response between off-axis and on-axis mic placements. It happens to be Robert Randolph's vocal mic of choice, which is how I originally discovered it.
It's frequency response is between 40 -18000 Hz and it has a pretty solid frequency response all around. There aren't any frequencies that are particularly emphasized over another which makes it a good mic for catching the full spectrum of a source signal.
OVERALL OPINION
I know this mic primarily as a vocal mic for both singers and public speakers. I've found that it works great in both settings but especially well for singers. It's great and giving high output without feeding back or giving too much of the muddier signals. It's definitely tailor-made for vocals.
That being said, it can also be used on a lot of other things including guitars, amps, and horns (just make sure you have pads). However, realistically this isn't worth buying for those as you can use an SM57 or 58 and have mostly the same results for less money. That is not true of the vocals, however. This sounds much better. It gives you far more room to move around and can let you really wail. Unlike the 58 it doesn't require that you come close to touching the microphone with your mouth in order to get a full enough sound. This is a good thing for vocalists.
Overall, this mic is probably only worth it for vocalists or perhaps sound engineers who work with a lot of vocalists. Otherwise it's more expensive than a lot of other dynamic mics in its range, and isn't as useful. It's certainly a cut above as a vocal mic.
It's frequency response is between 40 -18000 Hz and it has a pretty solid frequency response all around. There aren't any frequencies that are particularly emphasized over another which makes it a good mic for catching the full spectrum of a source signal.
OVERALL OPINION
I know this mic primarily as a vocal mic for both singers and public speakers. I've found that it works great in both settings but especially well for singers. It's great and giving high output without feeding back or giving too much of the muddier signals. It's definitely tailor-made for vocals.
That being said, it can also be used on a lot of other things including guitars, amps, and horns (just make sure you have pads). However, realistically this isn't worth buying for those as you can use an SM57 or 58 and have mostly the same results for less money. That is not true of the vocals, however. This sounds much better. It gives you far more room to move around and can let you really wail. Unlike the 58 it doesn't require that you come close to touching the microphone with your mouth in order to get a full enough sound. This is a good thing for vocalists.
Overall, this mic is probably only worth it for vocalists or perhaps sound engineers who work with a lot of vocalists. Otherwise it's more expensive than a lot of other dynamic mics in its range, and isn't as useful. It's certainly a cut above as a vocal mic.
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tony galamagic
Published on 12/21/12 at 04:13 (This content has been automatically translated from French)Sennheiser E 935 for vocals I find wonderful compared to shure sm58 for karaoke I use jm vima 5 when I switched from roland effects although it is noticeable
OVERALL OPINION
I just have this and is trying it I was delighted
I shure sm58 also but I think they live on their laurels
in value for money I prefer the shure
OVERALL OPINION
I just have this and is trying it I was delighted
I shure sm58 also but I think they live on their laurels
in value for money I prefer the shure
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Black jaspeHold the road in any situation
Published on 12/08/12 at 09:09 (This content has been automatically translated from French)I will not go into the technical characteristics it has already been done, but what interests us the strengths and weaknesses.
It remains for me now THE vocal mic ideal because it is precise, clear, put in evidence the voice in a variety of style and singer being taken and therefore kernels with different voices to achieve, it is very difficult to find a microphone that will adapt to any securities played. After having used the SM58 remains a reference but unfortunately did have time, microphones today are very good and prices very competitive, and E935 that stands out among the references.
He has a good presence in a mix and so we do not drown in the frequencies of other...…
It remains for me now THE vocal mic ideal because it is precise, clear, put in evidence the voice in a variety of style and singer being taken and therefore kernels with different voices to achieve, it is very difficult to find a microphone that will adapt to any securities played. After having used the SM58 remains a reference but unfortunately did have time, microphones today are very good and prices very competitive, and E935 that stands out among the references.
He has a good presence in a mix and so we do not drown in the frequencies of other...…
Read more
I will not go into the technical characteristics it has already been done, but what interests us the strengths and weaknesses.
It remains for me now THE vocal mic ideal because it is precise, clear, put in evidence the voice in a variety of style and singer being taken and therefore kernels with different voices to achieve, it is very difficult to find a microphone that will adapt to any securities played. After having used the SM58 remains a reference but unfortunately did have time, microphones today are very good and prices very competitive, and E935 that stands out among the references.
He has a good presence in a mix and so we do not drown in the frequencies of other instruments, both on stage again, a good mix of volume anyway because it can very quickly enclancher the clip level, given the catching power of the capsule.
Knowledge of micro and still has to suggest the movement of micro push during voice or give effect because he transcribed his movements parfaitements.
OVERALL OPINION
You will therefore understand it, at least for me THE microwave. I pensse that there are many more recess is over, but let's face has a current price of around € 180, it is not stolen.
It will delight many singers who will cross the step that will acquire and in the list of references SM58, E845, BEYER DYNAMIC TGX 58, AKG D 3800, basically all the microphones retranscrive our voices so ...
PS: There is no rule for singing unfortunately, test, and you can make your own oppinion but if many of us appreciate what is already a good base for those still looking.
It remains for me now THE vocal mic ideal because it is precise, clear, put in evidence the voice in a variety of style and singer being taken and therefore kernels with different voices to achieve, it is very difficult to find a microphone that will adapt to any securities played. After having used the SM58 remains a reference but unfortunately did have time, microphones today are very good and prices very competitive, and E935 that stands out among the references.
He has a good presence in a mix and so we do not drown in the frequencies of other instruments, both on stage again, a good mix of volume anyway because it can very quickly enclancher the clip level, given the catching power of the capsule.
Knowledge of micro and still has to suggest the movement of micro push during voice or give effect because he transcribed his movements parfaitements.
OVERALL OPINION
You will therefore understand it, at least for me THE microwave. I pensse that there are many more recess is over, but let's face has a current price of around € 180, it is not stolen.
It will delight many singers who will cross the step that will acquire and in the list of references SM58, E845, BEYER DYNAMIC TGX 58, AKG D 3800, basically all the microphones retranscrive our voices so ...
PS: There is no rule for singing unfortunately, test, and you can make your own oppinion but if many of us appreciate what is already a good base for those still looking.
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Tech. sheet
- Manufacturer: Sennheiser
- Model: e 935
- Series: evolution 900
- Category: Dynamic Microphones
- Package weight:580 g
- Added in our database on: 02/17/2005
We have no technical specifications for this product
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Other names: e935