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aliaskurtz « good guitar »
Published on 06/25/13 at 09:44Afien a wanted notice, I hope he has at least a beginning of answer.
I have not used for a long time-but not because it is a bad guitar, far from it.
I owned a Japanese Jazzmaster, dating 90.je years'm a fan of sonic youth and surf music, and indeed the experimental side of this instrument is undeniable. also with a Gibson SG, she took me to other horizon. Moreover, there are compos ON WHICH she has been indispensable.
for the reissue of '62, finishing, and sunburst case, nothing to say. microphones have more fishing than my old Japanese model, but with the pots volume, we can calm the game without problem, and clean sounds are beautiful, very rounded on the micro manche.mais distorted sounds are not left very fenderien obviously, (but not strat or tele) and sacrémment plush and with a good distortion, we can send serious (trash, I have not really tested on SansAmp in marshall and mesa, already, it sounds very heavy. electronics-is rather confusing at first, but we made it quite vite.le vibrato j'l'adore me some change the bridge, but personally it's part of its charm.
So far, no negative points, after it is personal, but the pitch of the handle is too long for me and relatively thin frets, and the rather impressive body accustomed to the gibson and gretsch me, I'm not viking.et for the biggest downside of the rates, but it, ca seems obvious and Southwestern release (I tried), is frankly not bad
in the end, if you can afford it, you can go without problem, it will only limits that we donne.et can not forget the original form of the instrument (very cool) After. if you can, always test the instrument
So since we note j'mettrai not a 10, let's go for an 8
I have not used for a long time-but not because it is a bad guitar, far from it.
I owned a Japanese Jazzmaster, dating 90.je years'm a fan of sonic youth and surf music, and indeed the experimental side of this instrument is undeniable. also with a Gibson SG, she took me to other horizon. Moreover, there are compos ON WHICH she has been indispensable.
for the reissue of '62, finishing, and sunburst case, nothing to say. microphones have more fishing than my old Japanese model, but with the pots volume, we can calm the game without problem, and clean sounds are beautiful, very rounded on the micro manche.mais distorted sounds are not left very fenderien obviously, (but not strat or tele) and sacrémment plush and with a good distortion, we can send serious (trash, I have not really tested on SansAmp in marshall and mesa, already, it sounds very heavy. electronics-is rather confusing at first, but we made it quite vite.le vibrato j'l'adore me some change the bridge, but personally it's part of its charm.
So far, no negative points, after it is personal, but the pitch of the handle is too long for me and relatively thin frets, and the rather impressive body accustomed to the gibson and gretsch me, I'm not viking.et for the biggest downside of the rates, but it, ca seems obvious and Southwestern release (I tried), is frankly not bad
in the end, if you can afford it, you can go without problem, it will only limits that we donne.et can not forget the original form of the instrument (very cool) After. if you can, always test the instrument
So since we note j'mettrai not a 10, let's go for an 8