Expansion Boards for Electronic Instruments

I use a Motif ES with a breath controller BC3.
PLG 150 VL uses a form of synthesis that has disappeared from the scene hardware Physical modeling Yamaha sauce, there has already patented 20 years. Yet the sounds that it can produce are unique, provided you use a breath controller BC3 kind (another technology that is passed to death).
The sounds of trumpet, flute, oboe and clarinet are excellent and expressive sounds of sax seem means and sounds of violins are really bad (only techno "Commuted waveguide synthesis" is capable of doing something right but it does not yet exist).

The BC-2 is controller by the blast. It consists of a mouthpiece as placing a wind instrument in the mouth, sending the control change. It is designed exclusively for older synths / expanders yamaha, although a case is adaptive was then designed for a price ... prohibitive. The Case has a sensitivity adjustment, and frame serves only holding the object in place (not very comfortable there ...).

Crossing here, I wanted to say how I found this great thing. I'm not that (far from it) a specialist wind instruments, nevertheless BC2 gives me a different approach to certain arrangements, and whatever the type of instruments and parameters supported: Velocity, opening filter, LFO speed ... everything is possible. I use it via my old DX-11 to control vst (i) and native settings in live, and it works great. Vsti emulating some wind instruments are also very simple to parameterize, and I would think that someone who really mastered the arrangement of copper draw a fairly good profit!

The downside is still in size, I have to let it run my DX-11 which suddenly no point me to it (the DX-200 having taken over for FM synthesis). It makes qd same space and weight to make something work in so little bulky. That said, when I see a USB controller breath rate that works well, I'm not complaining ... Advice so if you come across one at a reasonable price, whether or not with a Yamaha dinosaur, test ... It really is a fun tool that brings subtlety sensations and facing the stiffness of certain instruments or traditional controllers.

I use it recently and I do not totally control!
All I know is that I rarely had opportunity to align as many effects in a sampler or workstation (perhaps on a Yamaha A5000 ... but what they are ugly those of the A5000 ...!)
There was just the right ... but a hard objectionable quality!
2 24-bit processors arranged in E4 are already very good ...
but there is surpasses by far.
The quality is the same, except that some effects are added, we go for treatment from 24 to 32 bits and above are no longer one or two parameters effect but see 5 10 parameters!

The most interesting is that the Reverb is superb!
Using several different reverb algos on each track (in addition to those already disposed) not allow a lot of fantasies!

The only drawback is that it is obliged to provide additional ADAT card or separate outputs to power the router and use (damage)
Otherwise it is possible du'utiliser map still via the menu of the RFX!

The top is to assign any control over any parameter effect!

This is really an option that changes your Sampler!