RME Audio Fireface 800
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Manuel RME Fireface 800 (french)
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RME Fireface 800 English Manual
Best Interface I have ever heard/seen/used
I have not had the unit long enough to update again but the unit has been out for a few years and has been updated regularly. I can very easily use all of my inputs and tons of computer synths/effects and loop it all with the looper and set the buffer so it runs with less than 8 milliseconds of latency. Its quite remarkable especially compared to my former unit the Presonus Firebox. The drivers are extremely stable, as to be expected from RME. I use this mainly with ableton 8 but I also use it often with Logic 9. The most amount of tracks I have tried to record simultaneously is 8 and it performed perfectly. xpected from RME. I use this mainly with ableton 8 but I also use it often with Logic 9. The most amount of tracks I have tried to record simultaneously is 8 and it performed perfectly.
I have had no compatibility issues so far. The manual that came with the fireface is fairly indepth and I highly suggest reading cover to cover if you want to get the most out of this unit. It is a very well written manual and is more than sufficient. I guess I could say the general setup is simple, but this unit can do so much. If you want to use all its amazing options, then you better be ready to do your homework. Yes, the typical functions are accessible via the front of the unit and the software mixer/control panel that automatically loads on the computer when you connect via firewire.
What I love most about this unit is the pristine ad/da converters. I run my analog instruments (guitar/bass/rhodes/synths) into a Mackie Vlz3 mixer with the output going to a Fender Twin Reverb amp and a Peavey TNT 150 bass amp. I use the Alt Outputs on the mixer to send a "loop" to the RME then back into the mackie so I can "Loop" the instruments in Ableton 8. When I did this with the presonus, there was a little latency and the audio quality was significantly altered. With the the Fireface, the difference between the straight analog pathway and the computer pathway are virtually indistinguishable. I have even thought about getting rid of the Mackie and just running everything direct with the RME, its that good!!!! New these go for $1700 but I got mine used for $1250. Its a lot of money, no doubt, but if you want this kind of quality, you have to pay, and its worth every last penny. 10 out of 10 for sound quality (I'd give it an 11 if I could). I have used a Presonus Firebox, Firepod, Alesis Multimix, and a MOTU 828 mk2 and this blows them all out of the water. I would definitely make the same choice again. I highly recommend this unit.
this is great!
The multiple connections allow me to connect a Lexicon hardware digitally via SPDIF. I also use all my vintage tube gear - not only to track- but to mix as well in Logic pro in the same way as you use plugins..except they are the real thing! and with the same flexibility as a plugin. So if you desire to be able to use all your analog gear to mix in the box alongside your plugins simultaneously, this interface makes it happen and Logic pro 9 is set up for it, so it is very easy.
The clock is so good it has become the master clock in the studio. Clocking makes an audible difference in terms of audible phase shift harshness. I have not yet used the mic pres, as I have plenty of amazing vintage ones by Altec, UA, UREI, and a Buzzaudio MA2.2.
The headphone monitor volume is very powerful and clean. The overall sound -if coupled with Logic pro 9- approximates the sweetness of 30 ips Ampex tape in general character and vibe (at 44.1). At higher rates it becomes more" Hollywood soundtrack" in detail level and vivid transient response as well as dynamic range perception.
getting started was simple, it actually suprised me with how easy it was.
Overall, I am shure it will sound very different depending on what DAW you have ( protools, nuendo, cubase all have their own sound character due to differing algorithms and design priorities.
But the great news is it's superb -smooth non ear-fatiguing- performance at CD quality 44.1.
I hope this gives an idea of how this unit performs in strictly professional circumstances (the studio has a IT 20 series II Furman balanced power supply conditioning) for very long hours at a time.
firewire is fast
The FireFace 800 has eight line inputs and outputs which was just enough for what we needed to use it for at the time. We used 7 of them though which left one open for something maybe we wanted to add on later down the road but at the time we only needed 7.
Another great feature is the Steady clock technology. You can synch reference everything for the whole studio and session with it, I havent had another interface that could do that so it was big for me to be able to do that on this. It includes a midi option as well for those who use a lot of midi set ups.
There are other versions of the FireFace like the 400 mode which is a step down from the 800 if you are really arent in need of all the inputs and it can basically do the same thing as the Fireface 800 and its cheaper so check that one out if you don’t need this much inputs and outputs. Actually the 400 might be a better fit for a home studio that the 800 is because at home you really don’t have the need for that many ins and outs. But all in all the FireFace 800 is one of the best firewire interfaces out.
RME Audio Fireface 800 tech. sheet
- Manufacturer:RME Audio
- Model:Fireface 800
- Category:FireWire audio interfaces
- Added in our database on: 04/04/2004
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Other names: fireface800, fireface 800, fireface800, fire face 800, , rme audio fire face 800, rme audiofireface 800, rmeaudiofireface800, rme audio fireface800