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Strymon El Capistan
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«  Very good ... digital delay. »

Published on 03/08/14 at 15:25
This is a simulation of the band echo pedal digital format. Stereo input (since the change in 2012 from the serial number 12-50000) two jacks output and an input for an expression pedal assignable to any parameter. El Capistan is True Bypass but can be passed in "Trail" mode (the delay dies slowly when stopping the pedal) while pressing the ON button when turning. Power only by supplied AC adapter. The pedal comes with pads stickers to paste below a ridiculous sheet quick start and a sticker Strymon. The quality is average, the rotation buttons offers no resistance, the pedal is very slight: ... destabilizing printing when the grip is mixed for a machine of this price ...

UTILIZATION

The setup is rather simple once you understood how Strymon means emulating a venerable tape echo: it is rather well thought out and there are a lot of hidden features and other "tips". There are 2 switches with three positions to choose between different modes, the latter affect how the animal will behave. Simultaneously pressing both buttons (on / off and tap tempo) allows access to other functions ...

SOUND QUALITY

Is it like a tape echo? YES! is that it can replace a conventional delay? too! Is that the sound is as impressive as all the ultra rave reviews suggest: firstly, yes!
This machine cares earful as soon as the branch in his room on his little amp: extreme spacialisation sound, beautiful tablecloths, rendering is extremely flattering. Strymon El Capistan the really lends itself to all experiments and colors the sound to great effect. Control over the quality of repetitions is really total more can be used as a kind of looper since it can restore 20 seconds of delay where you can again and again add layers. Can determine the level of wear of the tread, make self oscillation (quite believable), introduce a natural modulation ... There is also a simulation of reverb, it's really full as a machine ... Now it really remains completely and permanently digital. Use volume scene and then, poof, the curtain falls and charm no longer operates. I use it with a Fender deluxe reverb, a RAT white face (fabulous!) And U.S. (ie front) stratocaster: active as soon as the effect is lost in heat, it is as if the sound became more "polished". By listening we even hear of yet overpowered DSP devices that populate her womb. No, it is not a delay: it is a simulation of delay. This really is the ugly duckling of my chain of sound. Difficult to explain, it's illusion for a while and then suddenly you realize that it is as yet another delay in plug in to 100 million light years away from what a man Memory a Panther cub, Aqua / Supa puss, a maxon or carbon copy can come out. It's a bit like comparing an MP3 and vinyl: it's neat, it sounds impressive but ultimately it REALLY missing something ... there must be something in this box that kills the MOJO ... I'm not too convinced by emulation in amp (my poor DRRI explodes all plug in machines and emulate what I've heard). I guess for this effect is a little similar.

OVERALL OPINION

I tested many models before making the acquisition. For me it rivals with everything I've tried like digital delay (whose boss, T-REX and Eventide). It sounds much better than the Flashback / alter ego of TC too. Hype around this pedal, however, seems to me quite unwarranted. It's not a bad machine, far from it, but it is not yet one who manages to forget his true nature ... I do not think the bear and I intend to return to a good old bucket brigade with 10 times less features but a sound that makes hair stand on end ...