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Fulltone Clyde Standard Wah
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«  Wow! »

Published on 11/12/13 at 05:52
It is inspired by the Vox wah Clyde Mccoy 1967.

We switched by pressing it is relatively flexible I can snap it sitting.

It also has an internal buffer therefore obliged to open the wah settings.
I have not yet grasped the operation, but it must be found that makes it more dynamic and more crunchy or soft and velvety following the setting.

You can also set the hardness of the action via the central screw.

UTILIZATION

Very easy to use, apart from the buffer that once set do not move, we just take care of moving the foot to get the wah effect.

This is what I wanted.

SOUND QUALITY

It can be used in clean, in distortion, crunch (with a terrible delay) with double or single coils.

I can do the funk with my 7 string equipped with EMG and it looks good! So when I hear someone say "I do the same with my cry", I smiled and told me "oh if you only knew."

Saturated it really wah. It may sound simple to say but when compared to its main competitors in the cry is effete distortion and garish light, the morley is screaming is relatively clear and incisive in distortion. The Fulltone is good everywhere.

OVERALL OPINION

It opens we see the signature of guy who checked we do not know who it is but it did and it's nice.

White paint with the "Clyde" logo is really beautiful why did a new version in black?

The true-bypass pedal this is the one that made me wonder about the result of my pedals you realize how much you lose the original sound.

Very nice work from home and thanks to Fulltone jimmypage who sold me this pedal.