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Kamel Chenaouy KC-Blues
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strat-sg strat-sg

«  A regal in bridge »

Published on 09/12/10 at 06:04
Okay, so I love my DIY stuff, test, understand the sounds and texture of all micro-guitar-amp ... While continuing to work minutes before games because everything: the fingers!

Although it says on my Ibanez strat (config HSS), violin well made, I had the pleasure of trying Seymour, Di Marzio, Crel, then I get after 3 years on micro KC, following a search microphones emerging standards (see my review el FYR KC-2).
Therefore bridge on my Start, I quickly turned the mike Iba not worth much (like the common way) and I installed a SH4: the rock fishing but too loud for my taste. Then I tried the T-REX Crel instead. Very good mic, nice texture, but I realized that I used it only for rhythm, and not for solos, because I found it a bit "dry", not singing very (but very much in rhythm) .
So as I am enchanted Fyr KC-2, I tested a KC-BLUES: good bad luck, I can keep it!
Finally I found a nice texture for the blues-rock solos (like the mole penis among others): powerful, accurate as all the microphones KC (SH4 is a mushy), very dynamic mediator, and a kind of velvety singing disto I like really. For the great rock rhythm also a distortion "clean" or more fuzzy.

No really I love: my 2 guitars are all passed on microphones KC (KC-SG in my SuperGraal in Alnico 8 U.S. (divin. ..): review to come). As I said in my review of the KC-Fyr2, microphones KC I really like their texture dense and very rich singing style to blues to hard rock. Whether with a slight distortion or lead more violent, notes and harmonics come out perfectly. Very good response to guitar volume pot volume, always a beautiful sound very rich.

I found the basic stuff to make me happy every time mediation. No change in microphones in sight! Repeat this choice? is a question? Save time by testing and procurement E: go see KC live microphones.