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User reviews on Hybrid Guitar Amp Head products

Powerful enough, and with a great sound. (Orange - Micro Dark)

By agmt, 23/05/2018
A single channel hybrid mini amp head with a single preamp tube, a 20W solid state poweramp, a headphone out, mono effect loop and 8-ohm output.

I needed a amp with a headphone out, at least one tube and an effect loop which was compatible with the speakers I already owned, so considering all amp heads on the market the Micro Dark was the obvious choice for me (all-tube models with a headphone out are very scarce, except fot a Bugera model which costs 3 to 4 times as much).
Oh, and the sound of course: this one goes from blues to metal in a breeze.

I’ve owned it for a week as of writing this review, and haven’t tried any of its competitors.
Please note that this amp has a rather warm sound in my opinion, it might be powerful enough in rehearsal, especially in overdriven sound or maybe even in a jazz band with a not-so-violent sound.

So, I’ve only used it at home, most often with headphones and the rest of the time plugged into one of the two speakers of my Carlsbro GLX 150 combo – Celestion 12"s, which I consider better for the lower range than the cab which comes with the Micro Dark which is only a 10”.

Soundwise finally, this head certainly gives its all with a cab. The sound of its preamp tube is not a mere myth, having only used solid state amps so far I can clearly tell the difference.
However, my headphones are awful, so it would be worth trying with quality headphones.

As for its controls, except for an on/off switch, you only have 3 knobs left to do the job.
Left from right, you have Volume, Shape and Gain.
No introduction necessary for the first one, the Shape knob controls the tone from the lows on the left to the highs on the right, and the Gain control really rocks as hard as it gets past half its course with the volume cranked up.

The way the contrôle interact with each other is very important with this amp, and those used just like me to put several od/dist pedals in front of it will often have to change the gain depending on whether you use a pedal or not.
Another point to notice it that until half its course, the Gain control works as a volume/boost with the sound remaining clean.
The drive sounds beautiful, with a simple-yet-efficient 70s-rock British sound that reminds of Vox, so it would be a pity to only consider the Micro Dark as a mere base for using pedals, which was how I originally intended to use it.
In the end, I have diminished my number of overdrive/distortion pedals after getting it.

The effect loop beautifully mixes the modulation and delay effects in, which is what I was after.

A little cons though with the lack of compatibility of some pedals, for instance the Voodoo Lab GIGGITY which doesn’t come out well, I still have to figure out why.

In the end, I recommend this excellent Orange Amps product, which features an excellent value for money. I’m happy to have discovered it.

Great for me !! (Vox - MV50 AC)

By JMS42, 20/12/2017
For which specific applications or uses have you chosen this product?

Installed on my pedalboard, I use it only on headphone so far as I recently moved to a flat but I consider buying a good cab soon to play at home at low to moderate volume.

How long have you been using it ? :

I’ve use dit daily for 3 months with an American Standard Limited Edition Telecaster with a bridge humbucker.

Have you tested other comparable or competing products before purchasing this one? :

I tried supposedly good small last generation digital amps with all known features (modulation fx, headphone out…) and it sounded digital and cold, a no-go for me as I previously played on a tube Marshall DSL 40C which was way too powerful to play at home, so to get a good valve amp I turned to this small Vox head which keeps its promises.

I also tried the Two Note preamp range which I found attractive but they provided me with strange noises which I couldn’t determine whether it came from the device or the supply, considering I only tested it in a shot using my own pedalboard. In comparaison, the VOX head was really silent with a nuanced and sharper sound, so in a word convincing.

As for my pedalboard, I use : a Moller TREX tube screamer, an MXR Fet driver fuzzy distortion, a TREX comp, a TREX wah, a TREX ghost tone reverb, an MXR carbon copy delay and a BOSS EQ.

I generally put the VOX’s gain at 0 (clean), its tone at 12h and volume at 10h, which is way enough to mye ars while playing on my headphone. The pedals sound really good on the amp’s clean, and sometimes I only use the amp’s crunch with a little comp for the typical Vox sound I love. In clean, a bit of compression and reverb are required to have yous playing style’s subtleties come out (comething all amps require to my taste).

I use my pedals on clean sound to change the grain and get into more modern territories, and also getting close to Marshallesque sounds. In the end, I get a wide sound palette with a single-channel amp, with a tube sound in my headphone (harmonics, warmth, dynamic…). I originally intended to buy the VOX MV50 Clean, but it wasn’t available before a while so I got for this AC which was in the shop’s window and tried it for a long moment. I not only have no regret but am also particularly satisfied – hence this review.

I read people criticizing this VOX head xlaiming the Hotones were half the price with an extra fx loop, well I’ve owned both and I precisely sold my Hotone British Invasion which I used to work at night as it was way too limited with my setup – as soon as distortions came in let alone the wah, it definitely lacked clarity. While the Vox has no fx loop indeed, I put all my pedals in the front and it works perfectly.

What are the pros and cons of this product?


+ Sound quality with a pedalboard (can’t wait to try it with a good cab!)
+ Value for money
+ The knobs’ progressivity and precision
+ its look !


I can’t think of any so far, as it perfectly matched my expectations but I may update this review after using it more – and especially with a cab.

Now that I think of it, perhaps it lacks an internal reverb for those who want to use it with no effect pedal.

Great for training (Orange - Micro Terror)

By totorman, 11/11/2014
This is a very small mixing 20w amp transistors and a lamp. You can connect an audio source, which is very convenient for training. I mostly play with headphones but I bought the tiny HP that goes with it, and that can make cattle without problem.

There are two stages of amplification, a known volume, which allows light to play, and the second called the gain, which sends a very nice distortion Orange, despite the size of the craft.


Everything is super simple, no need to book. We get a good sound instantly.


This is an amp sound so training is not comparable to a big amp, but frankly, are very clear and the sound is distorted barrel for size.
It goes from light to Ac / Dc, I would say.

I play with a Telecaster Custom Shop pickups equipped, mainly.


I use it regularly for 6 months. I had not looked before but I tried it with a friend.

The +

Very reasonable price
Weight: If in the tens of grams
Very very small footprint
His gun for size
Minijack auxiliary to play over a piece
Sufficient power for up to a beef with other guirares and percussion

The -
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News Hybrid Guitar Amp Head

[NAMM] Peavey introduces 6505 Piranha micro head

Published on 01/23/16
Peavey announces the new 6505 Piranha micro head, the newest addition to their 6505 Series of amplifiers.

[NAMM] 3rd Power Dual Citizen amp

Published on 07/13/15

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