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Electro-Harmonix Bass Micro Synthesizer (Original)
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Electro-Harmonix Bass Micro Synthesizer (Original)
MGR/Laklander MGR/Laklander

« Electro-Harmonix Bass MicroSynthesizer »

Published on 02/01/10 at 15:00
The EH Bass MicroSynthesizer is packaged in a black aluminum thinline box with green and black applied graphics for settings and logo. One in, one out. 10 sliders for Trigger, Voice Mix, Attack Delay and Filter Sweep. Single on/off stomp toggle. One 9V AC Adapter include in price. EH recommends that you don't try to power the unit in a chain from a single (V power source, but use the dedicated AC Adapter -- wise advise.

I tried out a friend's after hearing Nate Query of The Decemberists using one on 'The Hazards of Love.' Street price is $279.

The Bass Microsynthesizer offers sveral pedals in one: fuzz, envelope filter, octave box and more. Uisng the sliders, which determine effect volume, filter cutoff, sensitivity and initial attack time, you can tailor several sounds to your preferences. Octave effects work only on single notes but track well, and the ability to have a octave about' the actual note helps to flesh out the sound -- like Hendrix on bass! I'm a fan of controlled fuzz, the this machine delivers a square wave that is very smooth. It's also possible to get delayed attack that's approximates a volume pedal by ramping up Attack delay slider.

Price, for one thing. It's also a pain to have to either put the unit on a pedalboard and stoop over to adjust settings or mount it high and try to turn it on and off with your free hand. A remote on/off would be nice so you could keep the unit at waist level to adjust settings for on-the-fly changes.

Well made, but maybe not as heavy as you would like on a stompbox. Sliders seem prone to damage from a misplaced attempt to stomp on the toggle switch.

If you like far out bass effects, the EH Bass MicroSynthesizer offers several in one handy unit. Fuzz, envelope filter, octave above and below and attack delay let you satisfy your inner keyboard bass player.

This review was originally published on http://www.musicgearreview.com