As you already saw, due to orchestration (delegating the root to the instrument carrying the bass line) or simplification (making voicings lighter), you can take away all sort of notes from your voicings, according to your needs. At the same time, in the last couple of articles, I have striven to present to you more concrete examples of the theoretical concepts we've seen, with a practical application on the piano. This necessarily leads to new forms of voicing modifications. And, as you'll see, chord progressions on the piano were never so easy!Read the article
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