Fund thinner than normal classical string action and especially very pleasing for those coming from the electric (nothing to do with the standard classic 2 miles as the crow flies over the key ... ), which does for me the main reason for purchase.
Channel reinforced electric type, so a profile very end is possible despite a width at nut consquente (52mm). In fact a wizard is very similar Ibanez 7, although a fall is my main epr!

Sensor B-band, but more like not pizo condenser microphone in the record, and small gooseneck microphone in the guitar, but mixable not possible to have only the latter injury.

Little guitar, very nice, super easy to play, and very cool amplifies.

Edit: It seems that the current is DIFFERENT MODEL (CFS2) scf1 than mine. Prcisment have identified the following actions, absolutely out of the box stock:
Nut width 52mm, 41mm and mi mi.
Sides stick to the fitting 83mm and 90mm size.
Space available between the 12th fret and the underside of the low E string 2.5 mm, and a little less than 2mm to the mid treble. All the more remarkable that the bridge Exceeds 4mm cluck serious and a little less than 3mm cluck acute, has left much room.
So much for heading precision is very individual for a nylon string guitar so I note (I leave my quiet rglette IN GENERAL), still useful for a reader ...

UTILIZATION

Well, the frets have NCESS biting lime, as often with yam (z'apprendront never?). But a share that happiness, very easy to CHAC also very fast, the treble was a good laugh that the cutaway is ultimately small.
Crate and cypress table pica give his very clear, understandable as the devil, a real rgal of precision. Not cold at all, very like his master. The sustain is like just over a relatively short flamenco, which adds precision. That glaring clarity nothing to do with a classic table-cedar (in these prices of course, I speak not of beasts racing roros 5-10 thousand).
Near-perfect ergonomics, we do not feel it, time passes quickly with it.

SOUNDS

Small, cutaway, electronics boards, double pickguard, it normally does not send a max of sauce in acoustics. The sound is very good even when, branch and once it has no competition.
The b-band is not mtallique or pinched as it restores a condenser microphone in the IDE, it's really ideal even in a right-column amplifiers.
The balance with gooseneck requires a little work, and the placement of the county.
I must confess that I play this guitar non-arm most often, with lots and lots of fun.
Precision clarity, quite cheerful character, and is versatile Plutt (makes very well DADGBD in DADGBE too).
This is far from its melancholic monotone assimilated to classical, and I had good 6 or 7 before her. Any cause of action for bazaars too high / the sad / pickaxe handle.

OVERALL OPINION

This is THE guitar nylon I've been searching for ages, easy to CASC, cheerful, and best of companions.
Easy living!
It is the ideal, and intelligent privilgier the quality of its Plutt that its projection (both sweet murmuring roar of the horrors that eh).
A little effort on the edges of the frets, Msieu yam, and it is absolutely in-fact!

I'm not flamenco or upscale, so I can not see myself picky. Less than 900 roros for such a device is the DLIR.

You come from the electric, like the charm of nylon strings without the heaviness and melancholy, and as long as Al Di Meola tickled with the plectrum-speed-Lumire in the treble? Look no further, IT is