ricoute « Efficient, dynamic, with very good gains & Grains! »
Published on 12/04/14 at 07:02
Value For Money :
Excellent
Audience:
Advanced Users
connected to a guitar amp Fender Princeton 65 transistos
no plug in, plug and fiddles with the buttons to see different combinations
5 boost buttons / level / treble / bass / drive
and 2 inverters hard / soft & dark / bright (bright and the hard position give more clarity and treble but heads combinations are possible with tones bass / treble plus
2 contactors "fuse" (not for the fuzz!) But for the boost, and "detonator" to the saturation / distortion
initially we do not concern too, because we do not know what you are
but it is relatively simple:
the "Fuse" ie the boost is a clean boost it gives a good clean akin to a clear channel of an amp lamp
Fuse triggered this fashion is controlled only by the boost knob
this is a little logic we want a clean boost and nothing else
the "detonator" mode is the most important since controlled all buttons (sf the separate fuse that can add to it extra) to make the whole even nastier!
So a knob "level" to equalize levels eg. treble and bass in terms of the tone (a mid was not bad) and contactors / reversing hard / soft & dark / bright which can vary considerably combinations of tones
I appreciate that it is the grain and very good gains, that fuse harmonics without being in the field of fuzz clutter often when one is out of the race on distortion, adding that no compression at a certain level
Best of all you can earn cad put together the "fuse" and "detonator" managing levels and the proportion between the two in all possible ways, and we get a good hard rock side, not ultra high gain, but when even though chiadé even with a strat!
the overall dynamic is excellent, and the return of the game is fully respected, it is not in the anemic side of some pedals (not talking about multi effects) missing teeth and with a little dirty grains, make restitution a little wild and off the beaten track
the +: versatility, grains, opportunities
small - I would have the point of view rather ergonomic knobs set:
1 / on the top row of buttons "boost / level / drive"
(There is boost / treble / drive)
2 / on the bottom row I have set the tone buttons "Bass and Treble"
(There it is level and bass)
& More in this direction left / right bass / treble) while this is being reversed
So true .... and good discovery, tremolo brand of "scala" looks great opportunities issue of waveforms including but clairette therefore less dense than Empress.
R / P / Q good (though actually designed in Croatia it should be instead be positioned to € 170/180 but it is true that the Jam made in Greece are still slightly above issue price,
Anyway, apart from this small note, this is very favorable compared to the quality and sound results that famous Diktator!
no plug in, plug and fiddles with the buttons to see different combinations
5 boost buttons / level / treble / bass / drive
and 2 inverters hard / soft & dark / bright (bright and the hard position give more clarity and treble but heads combinations are possible with tones bass / treble plus
2 contactors "fuse" (not for the fuzz!) But for the boost, and "detonator" to the saturation / distortion
initially we do not concern too, because we do not know what you are
but it is relatively simple:
the "Fuse" ie the boost is a clean boost it gives a good clean akin to a clear channel of an amp lamp
Fuse triggered this fashion is controlled only by the boost knob
this is a little logic we want a clean boost and nothing else
the "detonator" mode is the most important since controlled all buttons (sf the separate fuse that can add to it extra) to make the whole even nastier!
So a knob "level" to equalize levels eg. treble and bass in terms of the tone (a mid was not bad) and contactors / reversing hard / soft & dark / bright which can vary considerably combinations of tones
I appreciate that it is the grain and very good gains, that fuse harmonics without being in the field of fuzz clutter often when one is out of the race on distortion, adding that no compression at a certain level
Best of all you can earn cad put together the "fuse" and "detonator" managing levels and the proportion between the two in all possible ways, and we get a good hard rock side, not ultra high gain, but when even though chiadé even with a strat!
the overall dynamic is excellent, and the return of the game is fully respected, it is not in the anemic side of some pedals (not talking about multi effects) missing teeth and with a little dirty grains, make restitution a little wild and off the beaten track
the +: versatility, grains, opportunities
small - I would have the point of view rather ergonomic knobs set:
1 / on the top row of buttons "boost / level / drive"
(There is boost / treble / drive)
2 / on the bottom row I have set the tone buttons "Bass and Treble"
(There it is level and bass)
& More in this direction left / right bass / treble) while this is being reversed
So true .... and good discovery, tremolo brand of "scala" looks great opportunities issue of waveforms including but clairette therefore less dense than Empress.
R / P / Q good (though actually designed in Croatia it should be instead be positioned to € 170/180 but it is true that the Jam made in Greece are still slightly above issue price,
Anyway, apart from this small note, this is very favorable compared to the quality and sound results that famous Diktator!