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Waves Plug-in/Multi-Effect Bundles

( 103 user reviews on products )
139 products105 news items2 reviews103 user reviews9 discussions

Reviews Plug-in/Multi-Effect Bundles Waves


Review of the Waves Butch Vig Vocals plug-in

Vocals Like Vig In the tradition of its Jack Joseph Puig, Chris Lord Alge, Eddie Kramer, and Manny Marroquin signature plug-ins, Waves has released Butch Vig Vocals (Mac/PC), a processor plug-in designed to let you easily dial in great Butch-Vig-style vocal sounds. Featuring a very unusual-looking retro/sci-fi GUI, it offers compression, filtering, EQ, de-essing, and two types of saturation. read more…

Waves Tony Maserati Collection: The Test

Waves & Maserati - All Revved Up and Ready to Go!... The Tony Maserati collection represents a meeting of industry titans. Waves, one of the earliest and most enduring audio plug-ins companies, has made its reputation on quality bundles of their own plug-ins such as the Gold, Platinum and Diamond bundles as well as emulations of some of the most respected names in studio hardware from API to SSL. read more…

User reviews on Plug-in/Multi-Effect Bundles Waves products

Experimental Jet Set, Garbage and 3 stars. (Butch Vig Vocals)

By Riatto_Music, 10/07/2017
Pro Tools 12.5 / MacBook Pro 2015

Fashion of the time is what it is, and one can think what one wants of it (always start with a deepest thought...)

In Waves’ Signature plugin series (Chris Lord-Age, Eddie Kramer, Jack Joseph Puig...), here comes one of the latest inventions from our friends the Waves Brothers, who seem to have decided to be true to their names in surfing on just every passing wave.

Fot the youngest readers who haven’t bothered to go and check Wikipedia, let’s briefly address the “Who’s that Butch Vig?” question by mentioning Vig is (or was?) an outspoken producer during that (temporarily) forgotten decade we now call the 90s.
From the Smashing Pumpkins to Sonic Youth to Nirvana’s legendary Nevermind, “the Butch” also and mostly was the brain and producer behind fusionist ephemeral sensation Garbage.

Here’s for the outline.
We first could wonder why such an anachronical channel strip would be developed – then thinking again you end up like “yeah, after all why not try and make a few extra bucks recycling famous names?” In the absence of Steve Albini drums, Jeff Lynne guitars, Trevor Horn synths or Brendan O'Brien grunge toolkit models, I’ve tried the Butch Vig Vocals.

First: the look. While we’re at it…

Although I have no remembrance whatsoever of a link between Vig’s productions and the steampunk universe, the GUI seems right out of a crossover between Borderlands et Bioshock. Nothing to do with the music, you’ll say – oh so rightly.

At least, this is a GUI that must have provided a job to a whole team of graphists! Why not after all: it’s much more fun to spend hours in front of a well-drawn interface instead of a factory plug-in that looks like cr*p.

OK. But soundwise, where does it go ?

In a nutshell, on a vocal track (let’s go crazy, huh?) recorded more or less correctly, there it goes:

A lot of Grrrrr, a pinch of Pshhhiii, quantities of Brrrr plus a touch of Fzzzzzz.

Compression + EQ + Distortion + Filter = smashed teeth splattered all around !! :bravo:

Nah, you frankly can’t blame the BVV for sounding either too transparent or thin – no chance it ever will be.

As with most of the aforementioned signature series models, this kind of processing is so hard-hitting that it’s hard to give a neutral review of it.

If you like the Buzzcocks, P.I.L, Transvision Vamp, Television or the Sex Pistols – AND you’re ready to change your wallpapers after the cat has scratched them out after merely listening to all presets…

No way to get anything defined with such a nuanceless processor, but for demoing… Hey, it’s so punkifying it might work!

A bit like with Beretta’s latest model: you need to have a use for it.

A comprehensive -yet complex- virtual channel strip (EMI TG12345)

By Riatto_Music, 25/08/2017
Pro Tools 12.5 / MacBook Pro 2015

This channel strip has to be one of the most beautiful plugins Waves ever released! :8O:

No, you’ll never insist enough on how important it is to work with beautiful plugs (I mean audio plugs, of course), if only to compensate for the hours spent in front of the screen, breaking your back, ruining your eyes – spoiling your health altogether.

As usual, it’s "a faithfull reproduction of the famous EMI channel strip made by my aunt’s janitor’s cousin’s stepbro..."
For all this commercial talk, go and see with Waves directly, even if i’ll admit that this one console is pretty famous, and perhaps the entire British Invasion was recorded on it so yeah, soundwise, it’s a real heavyweight.

After trying it.

It’s a preamp/EQ/comp combo.
Available in mono or stereo versions, but I personally only tested the stereo one and even only in MS mode, so divide by two for an advice on the mono version and we should be there.

(For those who wouldn’t know, the MS mode allows to split the center (Mid) from the Sides, and on a drum buss for instance it’s as lethal as it gets.)

Now, back to the plugin.

Preamp stage – hard to judge a preamp sim, as it may be one of the rare things that can’t be emulated – along with getting a Tokai karaoke mic sound like a U-47. However! The good point here is the volume settings are used to modify the compressor’s reaction, and clearly tweaking the input gains really do change a lot to the overall sound. A good point.

Compressor/Limiter stage – this time it’s different. Touching a knob immediately results in an audible change. Hold, Recovery and Mix. No values, just tweak and listen, this is it.

EQ stage – keep it between us, but the ergonomics is initially quite a bit messy.
The Bass and Treble do what they say (respectively), but in between is a parametrical “Presence” setting that makes things less clear.
Again, you get used to it and it’s approximately as subtle as a sledgehammer. Let’s make it clear, the TG12345’s EQ sounds more like a filtre than anything. A bit like the EQs you’d find on old Korg products (Polyphonic Ensemble, Delta... ) – yeah, i know, this has nothing in common but it reminds me of such effects. And this is MY review so I’ll say what I want.

Finally, the usual output settings are here, with an additional drive that you’ll be careful not to push too far as it can very quickly sound ugly.


It’s a typical sound. A very typical sound. A very, really typical sound… But if you’re working on a neo vintage track ala Amy del Rey, here you are.

On the overheads, on a drum buss with MS treatment or an electric guitar you want to make stand out of the mix, that’s the kind of effects that’ll make you spend more time than you’d thought, keeping you busy playing with the filter – so beware.
Hiss and grain (yes, grain) are brought in, and overall it brings a real identity, provided you need it.

Is it easy to use? Yes and no (that’s for a useful advice, huh?)
Is it efficient? Yes.


- MS mode

- the EQ - filter, as there’s a moment when you have to choose, either you do rock or you knit, and this is no time for knitting.

- the look is a killer, and that’s good news as you’ll have to spend a while on it before getting a really satisfying result

Cons :

A bit expensive for a basic config, especially if you keep adding Waves to Waves: you’ll end up thinking that you could have bought a Trident channel strip of several Joemeek EQs for the same price, and THAT’s a downer. But hey, that’s progress, they say, what could you do about it?

News Plug-in/Multi-Effect Bundles Waves

Waves' CLA Effects for $29

Published on 06/06/16
For a few more hours, Waves offers its CLA Effects processor plugin at $29.

Forums Plug-in/Multi-Effect Bundles Waves