Fender Stevie Ray Vaughan Stratocaster

-Guitar manufactured in the US
-micros fender texas spcial
-chevalet gold
-manche Fender SRV Signature

USE

-The neck is super enjoyable. It is quite large and very handy. The guitar is very well balanced the access to acute is easy, it is quite heavy Nevertheless (it's not a tafiolle guitar !!).

SONORITS

This is a blues guitar par excellence. Its warm SRV. With a lamp type fender amp Vibroverb, super rverb, twin, delux .... there's really yield.

NOTICE GLOBAL

Hint: find one from 1995 (they are particularly in this period managed to) .When you start playing with it can no longer arrter tellemnent it is pleasant to touch .dropoff window This is certainly my best strat US ahead but standart.Le qualitprix report is super good especially if we find a used (it is a guitar that really keeps well if we take soin.Je tellemnt finds that I am leaving proocurer for a second: a custom SRV (I find vintage look)

Guitar factory in the United States 21 frets with great pickups texas!
1 volume, 2 Tone and Classic slecteur
the handle is a killer! to be enjoyable, but not too large ... the solos are of course without getting tired of the left hand

UTILIZATION

Like I said above, the handle is a real massacre! Access in acute is relatively easy
the single point of scratching ngatif this egg is how the PSE poind the bitch! She is quick to dchirer you back!
when the sound ... anything! DEFINITIONS a superb one incredible precision. We obtain quickly the research (when it comes to blues and rock)

SOUNDS

This scraper is perfect for playing the SRV of course! but we are comfortable making trs funk or rock and even jazz, thanks its great pickups texas. there is a grain terrible and sounds clear, spctaculaire!
I take my foot lamp with amps (Twin Reverb, delta blues) but can be as comfortable on the big marshall type: TSL or other ...

OVERALL OPINION

I play this guitar prs since 8 years and I have to redo my frets (super jumbo) that starts curling death 240 ... it's going to cost me, but it is not an instrument of this quality br /> I am a big fan of Fender and I have several US MODELS as a stratum, a 57, and I had the opportunity to play on the custom shop. But I assure you that for the price, it is better to pay a SRV, you will get a dynamic imprssionante!
I pay 7500 francs because I knew the luthier who kept the store, but I would still buy 12 000 en
without hesitation, I would do this choice

Micro and quality violin, but quickly made gold-plated encastillage pale for a guitar of this price, the gold layer by very quickly, and it is best to also change the bridges that prennet of games and they loosen by bridges standards.

UTILIZATION

The handle is the best round of stratum I saw a rather large profile, with a back between C and V. ... A true success. The access to acute, as in all strata is not great ... (heel rather thick).
It is quite heavy for a Start, but it does not pose a problem, it is well balanced.

SOUNDS

Rather unusual for a stratum, the sound is very "robust", with a greater output level and lots of mediums from traditional to stratum, the treble is less scathing ... I would say perfect for blues rock, for which it is made, but not very versatile and less adapted to the reggae / funk / cocottes.

OVERALL OPINION

Strong Start to play blues rock, it remains a good value for money on occasion (eniron € 1000), for cons, I think you can do better at the price of nine ...

Guitar made in United States, alder body in 2 parts.
Channel stocky, key type rosewood, 21 frets dunlop SPECIFICATIONS (Troit and high), spcial profile (wholesale), mechanical vintage.
Texas special pickups.
Vintage bridge of left-handed, acastillage gold plated, color sunburst, black plate sign SRV: trs pretty.

UTILIZATION

The handle is big, but for me no problem. The key is not too bomb, a love. The frets are particulires less enjoyable than conventional jumbo, but there again, no worries. The only small BLME is that with the vintage bridge, the strings are more cards with a standard bridge. Feedback, the strings are MI prs edges and be careful not to leave the field (I had to get used a strat APRS std US). This is reflected in the strato gnral vintage.
Access in acute is okay: it is a stratovolcano.
Left of the bridge requires some adaptation (especially to play "Lenny" with the whammy bar in hand), but quickly forgotten.
The guitar is quite heavy. Captures the gold plating on the sunburst, but gold is fragile wear.

SOUNDS

This guitar has the personal.
The sound is superb, prcis, powerful, equilibrated in any combination of microphone.
Note: The team of mine is vintage noiseless, brilliant and sharp as acute, but not be aggressive. There is a grain and natural compression, Submitted even in clean sounds. saturation goes well. It's really good, the treble is exceptional.
I mount the texas specials (purchased new there is little to US on ebay.com, not expensive at all!) And I t of their sound "fine pitch". DSOL for the purists, but I quickly handed the noiseless. I dvelopperai this one day notice via microphones.
The volume SETTING THE trs behaves well is that the highs do not disappear suddenly with the level.
The dynamics are excellent, the nuances of the game are followed. There is also a good sustain. The big round of matrial and quality are probably for something.
With Texas, she especially loves the blues. With noiseless, there is a real stratovolcano, which can accommodate all.

OVERALL OPINION

I have this guitar since December 2004, bought secondhand US $ 880 (super state).
Trs vintage, it is not at the top of modernity but the expressiveness it brings inspires all pardons.
I had a good strat US standard before, this is the one step above (the more I think of the microphones). A good compromise might be a strat US deluxe.
New, but not given a layer of quality is a value sre.
I do not regret my choice.