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Sweatsong
Published on 06/02/06 at 05:12
The touch screen is nice and trs still useful. the recorder, the audio inputs with the 48volt and any interface on top of the unit (pads, tape, joystick, etc!) make this machine a rather effective tool.
UTILIZATION
Standard manual but in English! .
Karma is the system difficult to use trs. like the synth karma, this system requires a large dose of patience and mastery of English.
there are plenty of guys who prtendent master it but rather use it as a super newt. the concept is truly innovative and potential crativit infinity. but only the inventor (Steven Kay), is able to explain things in depth to allow to enter the heart of the beast. there are some explanatory video on its site but does not track that trs.
for the rest. It is like a Triton, with of course some advantages.
the squenceur (TOC PM) is a shame on a machine in this range. I did not expect to find one in cubase but still the same!! those who like me have a long experience on the type tnor will find it difficult to walk Rear ... the keyboard is great my taste. touch is a synth but it is enjoyable trs. to a program or a combination is not really difficult, but it is not intuitive trs. we always lose a little time searching how to change this parameter or modified this behavior ... I am not a fan of the ergonomics.
SOUNDS
Combi presets are oriented rather poprock and I find the whole, musically and trs inintressants uninspiring! I have great difficulty from zero-to composer.encore more when I know little about the machine! standard handicap for me!
sounds are a little better than a triton, and more favoriss the karma system. the drums / percussions are really good and the other families of sound, everything is usable.
section is done for effect and really works
OVERALL OPINION
I've had two months. I think it's a beautiful machine. but its ergonomics does not really suits me! I had the same exprience with karma, but because the concept has amlior t, I thought I could get out quickly ... it's true that we can have fun tr s fast with preset combi thanks to pads and the rest of the interface is really idalie!
but I think this machine is not adapted to work my fawn the composition.
I do not handling the pianist so squenceur and sounds must be super intuitive so as not to Interfrance in procssus of Fast Fashion. I can not do anything but change (a little ...) the preset and do express it. and then the karma system refuses to reveal its secrets to me without the mastery of the English language seem difficult to access. I possde an EMX-1 Electribe Korg home. it is not comparable in terms of possibility but I composed the 3rd day with ds, I have sold a regret that I RM1X YAMAHA APRS feat two weeks of work. I took the place, a roland mc909 home. Once again it is not the same range of tools that Oasys, but I do many things with enough rapidement.j 've used a lot of soft PC or MAC with varying degrees of r SUCCESS but LJE'm stuck. I bought this synth to do all the work, research, burning sound, in the same machine.
for now is not your exact trs encouraging. I am for all these reasons one of the first sell the Oasys! despite all, a GNER does not compltement me to keep;
magnto is a 16-track audio and MIDI, with a Triton amlior burner and big hard drive, a sampler of all a good karma around the system in full volution.mais lessee if I find it will not regret!
UTILIZATION
Standard manual but in English! .
Karma is the system difficult to use trs. like the synth karma, this system requires a large dose of patience and mastery of English.
there are plenty of guys who prtendent master it but rather use it as a super newt. the concept is truly innovative and potential crativit infinity. but only the inventor (Steven Kay), is able to explain things in depth to allow to enter the heart of the beast. there are some explanatory video on its site but does not track that trs.
for the rest. It is like a Triton, with of course some advantages.
the squenceur (TOC PM) is a shame on a machine in this range. I did not expect to find one in cubase but still the same!! those who like me have a long experience on the type tnor will find it difficult to walk Rear ... the keyboard is great my taste. touch is a synth but it is enjoyable trs. to a program or a combination is not really difficult, but it is not intuitive trs. we always lose a little time searching how to change this parameter or modified this behavior ... I am not a fan of the ergonomics.
SOUNDS
Combi presets are oriented rather poprock and I find the whole, musically and trs inintressants uninspiring! I have great difficulty from zero-to composer.encore more when I know little about the machine! standard handicap for me!
sounds are a little better than a triton, and more favoriss the karma system. the drums / percussions are really good and the other families of sound, everything is usable.
section is done for effect and really works
OVERALL OPINION
I've had two months. I think it's a beautiful machine. but its ergonomics does not really suits me! I had the same exprience with karma, but because the concept has amlior t, I thought I could get out quickly ... it's true that we can have fun tr s fast with preset combi thanks to pads and the rest of the interface is really idalie!
but I think this machine is not adapted to work my fawn the composition.
I do not handling the pianist so squenceur and sounds must be super intuitive so as not to Interfrance in procssus of Fast Fashion. I can not do anything but change (a little ...) the preset and do express it. and then the karma system refuses to reveal its secrets to me without the mastery of the English language seem difficult to access. I possde an EMX-1 Electribe Korg home. it is not comparable in terms of possibility but I composed the 3rd day with ds, I have sold a regret that I RM1X YAMAHA APRS feat two weeks of work. I took the place, a roland mc909 home. Once again it is not the same range of tools that Oasys, but I do many things with enough rapidement.j 've used a lot of soft PC or MAC with varying degrees of r SUCCESS but LJE'm stuck. I bought this synth to do all the work, research, burning sound, in the same machine.
for now is not your exact trs encouraging. I am for all these reasons one of the first sell the Oasys! despite all, a GNER does not compltement me to keep;
magnto is a 16-track audio and MIDI, with a Triton amlior burner and big hard drive, a sampler of all a good karma around the system in full volution.mais lessee if I find it will not regret!