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daniel herman
Published on 01/29/05 at 01:24
Synthtiseur modular analog
4 octave keyboard indpendant with multiple controllers
Joystick-junction array
First instrument fully programmable polyphonic
Polyphony of 2 total VCO divisor type MM5824
Programme: 16 + user sounds.
Midi but not easily adaptable.
Compatible with other Ps 3100, 3300.
A non-programmable (assignable Jacks 6.35)
VCO 2, 12dB low pass filter, a programmable ADSR envelope
A non-programmable envelope generator (delay)
2 modulation generator, sample year hold.
White Noise Generator, Pink Noise.
Multiple processor
Equalizer Broadband
Balance of filter and VCA envelope.
2 modulators with a programmable.
6 waveforms on each gnrateur
An overall effect type chorus
2 audio outputs
1 remote controller
Rglage Tempra on each divider (tune note by note) as a piano.
Allows you to tune the instrument for use ethnicity.
UTILIZATION
Gnrale configuration logic for a small modular.
Synthtiseur research IDAL sound to the uninitiated (trs clear instructions)
Original of the era: potentiomtre button programmable pressure (push-pull)
Processors and non-programmable connection jacks.
No squenceur.
No after touch.
SOUNDS
Some sounds are quite original but not imitative perfection, not the goal n'tait the era.
Among the most clbres (electric harp fawn Andreas Vollenweider, honky-tonk piano, brass ensemble and brass band, beaches trs synthetic violins, organ, pizzicato, flute, special effects ...)
A synthtiseur which would tend to approach an electronic organ from the standpoint engineering design, research and look into more.
Its advantage is its unchallenged total polyphony.
Inconvnients: 12db filter is too soft and does not rsonnance tense and powerful.
Keyboard too small, a 5 octave t would be welcome, although the tense is almost unlimited with the processors of multiplying it frquences inaudible to the human ear.
significant wind noise on audio output too low.
OVERALL OPINION
I possde synthtiseur this since 1978, bought used the team of JM Jarre / F.RIMBERT.
Obviously one of the four PS 3200 who participated in the first concert of Jean Michel Jarre, a July 14, Place de la Concorde.
Inconvnient its major weakness dividers MM 5824 that made me easily when temprature changes, replacing General for a solution more stable and less coteuse Pipelines Limited.
Parcontre I "midifiquot, without external interface (less than a synth coteux Traditional) possde dj since 60-pin connector with all indications of values, but it took the intervention of a specialist in as Jean Loup Dierstein,
4 octave keyboard indpendant with multiple controllers
Joystick-junction array
First instrument fully programmable polyphonic
Polyphony of 2 total VCO divisor type MM5824
Programme: 16 + user sounds.
Midi but not easily adaptable.
Compatible with other Ps 3100, 3300.
A non-programmable (assignable Jacks 6.35)
VCO 2, 12dB low pass filter, a programmable ADSR envelope
A non-programmable envelope generator (delay)
2 modulation generator, sample year hold.
White Noise Generator, Pink Noise.
Multiple processor
Equalizer Broadband
Balance of filter and VCA envelope.
2 modulators with a programmable.
6 waveforms on each gnrateur
An overall effect type chorus
2 audio outputs
1 remote controller
Rglage Tempra on each divider (tune note by note) as a piano.
Allows you to tune the instrument for use ethnicity.
UTILIZATION
Gnrale configuration logic for a small modular.
Synthtiseur research IDAL sound to the uninitiated (trs clear instructions)
Original of the era: potentiomtre button programmable pressure (push-pull)
Processors and non-programmable connection jacks.
No squenceur.
No after touch.
SOUNDS
Some sounds are quite original but not imitative perfection, not the goal n'tait the era.
Among the most clbres (electric harp fawn Andreas Vollenweider, honky-tonk piano, brass ensemble and brass band, beaches trs synthetic violins, organ, pizzicato, flute, special effects ...)
A synthtiseur which would tend to approach an electronic organ from the standpoint engineering design, research and look into more.
Its advantage is its unchallenged total polyphony.
Inconvnients: 12db filter is too soft and does not rsonnance tense and powerful.
Keyboard too small, a 5 octave t would be welcome, although the tense is almost unlimited with the processors of multiplying it frquences inaudible to the human ear.
significant wind noise on audio output too low.
OVERALL OPINION
I possde synthtiseur this since 1978, bought used the team of JM Jarre / F.RIMBERT.
Obviously one of the four PS 3200 who participated in the first concert of Jean Michel Jarre, a July 14, Place de la Concorde.
Inconvnient its major weakness dividers MM 5824 that made me easily when temprature changes, replacing General for a solution more stable and less coteuse Pipelines Limited.
Parcontre I "midifiquot, without external interface (less than a synth coteux Traditional) possde dj since 60-pin connector with all indications of values, but it took the intervention of a specialist in as Jean Loup Dierstein,