-Made in China or Japan
-20 Frets, short scale (about 10cm shorter handle than a P-bass)
-Fixed bridge, type SG
-Volume control and tone

UTILIZATION

First use the most:
-The handle is very nice, short scale allows a fluidity and a more accurate than that of a P-bass (my opinion)
One gets a very good set with two

less use of:
-Weight is poorly distributed, the bass tend to bite the neck to the rest position, it does not pose a problem as we play.
-The nut of the bass is square, it's embarrassing to the game as we used to play on a long handle, I think a

SOUNDS

I play with a top mark and a bass cabinet 4x12 "Eminence built and mounted.

the sound to the particularity of being very balanced, the big addition to this low (in addition to the short scale) is that the game more or less the bridge really do change the sound.

The tone control was not very effectively, in any event, the mere use of the game more or less near enough to vary the sound and attack.

OVERALL OPINION

Likes:
The short-scale
The price-
-Finish of the violin
SG-color which betrayed the grain of the wood (very pretty)
-Unlike his more or less near the bridge

I like least:
The nut-to reponce because it is a little square
Tone-setting low deficit (not offset the game more or less near the bridge)
-The head of the bass looks when not playing.

I would do if I had the choice often enough for a night in a broken, not without laughter is a very good bass, a P-bass is more balanced but the SG has much more character and some advantage as the shorts and micro scale.