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vextones
Published on 10/30/08 at 05:15
From Japan
Fender single coil pickups, which I replaced with Seymour Duncan Hot for Jazzmaster ® SJM-2 that are much warmer and less flashy.
Original bridge, a real shame I prefer not even talk about it, I did replace it with a mustang bridge that solves part of the problem + a buzz stop.
Infact at first what charm is its look and handle divine.
Access to acute is easy, the volume knob a little too much in the way of hand when one gets upset a little.
It is quite light and shape ensures a comfortable Thurs
Next what we want, we get the sound you want fast enough, it is versatile enough especially with the bonus button on top of the pickguard that allows a second setting on the micro serious.
I did change the pickups and there is pure happiness. Dynamic and bluesy we almost take for the leader of the black keys.
At first not really my thunderbolt fell on the handle in particular, the look and feel and at the time I did not play as saturated sound level so it suited me perfectly. Once I set up my group and the first concert arrived, the microphones were quickly shown limited when they are pushed so once it's really changed a mass murder.
I play:
Fender Tweed - Blues Deluxe Reissue
* 2 Ibanez TS-9 Tube Screamer
I was granted DO ... and I was looking for his bold but not too much, so this guitar is perfect for me, it sounds grunge.
Sound level is what I prefer serious microphone, it really is superb, both for the clean sound is a wonder or saturated (with LSU-2 of course).
I have 5 years.
Its uniqueness is that it quickly became our guitar, as it must buy its parts that make small adjustments. No one else sounds like mine and it is the same for the other owners I think.
What I like least is that the finisher is poor.
€ 830 at the time ... Today I would not put more than € 650 especially with the Classic series player is extra.
I would do this election ... I love it.
Fender single coil pickups, which I replaced with Seymour Duncan Hot for Jazzmaster ® SJM-2 that are much warmer and less flashy.
Original bridge, a real shame I prefer not even talk about it, I did replace it with a mustang bridge that solves part of the problem + a buzz stop.
Infact at first what charm is its look and handle divine.
Access to acute is easy, the volume knob a little too much in the way of hand when one gets upset a little.
It is quite light and shape ensures a comfortable Thurs
Next what we want, we get the sound you want fast enough, it is versatile enough especially with the bonus button on top of the pickguard that allows a second setting on the micro serious.
I did change the pickups and there is pure happiness. Dynamic and bluesy we almost take for the leader of the black keys.
At first not really my thunderbolt fell on the handle in particular, the look and feel and at the time I did not play as saturated sound level so it suited me perfectly. Once I set up my group and the first concert arrived, the microphones were quickly shown limited when they are pushed so once it's really changed a mass murder.
I play:
Fender Tweed - Blues Deluxe Reissue
* 2 Ibanez TS-9 Tube Screamer
I was granted DO ... and I was looking for his bold but not too much, so this guitar is perfect for me, it sounds grunge.
Sound level is what I prefer serious microphone, it really is superb, both for the clean sound is a wonder or saturated (with LSU-2 of course).
I have 5 years.
Its uniqueness is that it quickly became our guitar, as it must buy its parts that make small adjustments. No one else sounds like mine and it is the same for the other owners I think.
What I like least is that the finisher is poor.
€ 830 at the time ... Today I would not put more than € 650 especially with the Classic series player is extra.
I would do this election ... I love it.