stereosound
Published on 03/11/07 at 08:55
Generator sub-bass analog (via internal synthesizer).
An active filter at 75 Hz is used to send the SUB on a separate output (use sound) or re-integrated into the signal source.
A pot. modulates the threshold for triggering the processor, another type of SUB (bass exterme bass).
Limiter helps limit sub.
Connectors JACK 6.35 (the first model = large buttons)
Rack with integrated power supply
UTILIZATION
Single use
SOUND QUALITY
The stroke of the threshold setting does not seem entirely appropriate: it flies in "nothing" to "too much"
The limiter is completely transparent (on version 1), to wonder if something limits.
Use with caution in beacoup recording / mixing. Can be useful to "catch up" taking its foot bass drum or bass a little short in the bass. On the side of the marrow and serious is successful (warning: the speakers are down to 30 Hz for a good perceived sound).
OVERALL OPINION
(+) Cause serious, which is quite different from a booster APHEX serious type. The sound is deeper, more realistic.
The only condition use CD in good conditions of bandwidth and not necessarily "radio" or small diffusion.
(-) Control the dynamics not always convincing. The limiter (v.1) should be reviewed.
Use very specific and useful in some cases, to give more notament sitting at a sound recording sound a little too energetically filtered at 100 Hz I am less confident for the TECHNO and RAP, but I also less experience in this type of prod.
An active filter at 75 Hz is used to send the SUB on a separate output (use sound) or re-integrated into the signal source.
A pot. modulates the threshold for triggering the processor, another type of SUB (bass exterme bass).
Limiter helps limit sub.
Connectors JACK 6.35 (the first model = large buttons)
Rack with integrated power supply
UTILIZATION
Single use
SOUND QUALITY
The stroke of the threshold setting does not seem entirely appropriate: it flies in "nothing" to "too much"
The limiter is completely transparent (on version 1), to wonder if something limits.
Use with caution in beacoup recording / mixing. Can be useful to "catch up" taking its foot bass drum or bass a little short in the bass. On the side of the marrow and serious is successful (warning: the speakers are down to 30 Hz for a good perceived sound).
OVERALL OPINION
(+) Cause serious, which is quite different from a booster APHEX serious type. The sound is deeper, more realistic.
The only condition use CD in good conditions of bandwidth and not necessarily "radio" or small diffusion.
(-) Control the dynamics not always convincing. The limiter (v.1) should be reviewed.
Use very specific and useful in some cases, to give more notament sitting at a sound recording sound a little too energetically filtered at 100 Hz I am less confident for the TECHNO and RAP, but I also less experience in this type of prod.