All user reviews for the Vox Tonelab SE

Everything has been said before I would add that I, too, c true that the lamp, I doubt its usefulness therefore -1 ('ll hop!) And no USB port, too bad .... -1 More.
otherwise all good.
good solid feel as well.

UTILIZATION

Super-simple, really childish, it is necessary to look for a sound like it, but it became a puzzle, I have a manual in french but the base is plugged, it sounds, and I j 'love this!
good solid feel also

SOUND QUALITY

Very clean on the clean, just the right amount of crunch on the dirty, and well-defined distortion.
effects are usable, finally I think the same as the previous opinion, if n is the range is fairly typical VOX
presets are not bad.
c c not on top for the nu-metal, but I n'ne not play so ...

OVERALL OPINION

I use it for a week, step by step, what I like most c sound and ease of use, which I regret c increased simplicity would have brought the usb.
I have a PODxt which is probably more versatile but I do not regret this versatility because the ToneLab is a "spectrum" sound less extensive, but closer to my tastes.
bought new for 595 euros in Music City (Maisons-Alfort), a good lil store. (No I'm not in action)

Pdalier guitar amp modeling lamps, edition of presets via MIDI can trs good connections, may be a lack numrique output (available on the ToneLab).

UTILIZATION

Trs intuitive use, the possibility to switch from one channel to channel B on the same preset aprciable is a plus. 2 expression pedals with paramtres assignable. The manual is an example of the kind, he dyed of humor and explains how an amp (section prampli and power class A / B etc ...), a real rgal.

SOUND QUALITY

The sound quality of the machine is really terrible, I have not heard such raliste at the amp simulation (I sold my POD XT!), The quality effects is also sublime. To russi info I bluff a connoisseur of the genre. Try the preset with an SRV Start!

OVERALL OPINION

I use it for two weeks, I love the sound of the machine is really hot and it's not a gadget for thirsty findings of sound, even when there are one or two effects FITRE tr s enjoyable for funky rhythm. I tried everything that was done in simulation Contents amp and it really must. The big surprise is price quality ratio is (560). If c'tait again, this sears without hsiter.

I think the good that everything has said t, c of the solid very heavy (6kg anyway) and little touches, it comes with its cover.

UTILIZATION

The c tres simple, intuitive nay. We just rgler the various parameters or with the pots or via the menu on the display numrique (very convenient for purposes rglages). we just assign the expression pedals almost nimporte paramtre and what the effects are all in the paramtrable dtail.

it has a system of A / B box that allows you to change the amp simulator / HP on the same preset, so we keep the pedals and effects enabled but it changes the amp. 4 swicth to select the bank, which are also associated in a particular mode is activated / desactivaton sections of each effect (in order: pedal, modulation, delay, reverb), a control button to tap that ser tempo and also has other functions SPECIFICATIONS some effects. an FX on / off which as its name suggests can blow all the effects except the pedals and if it is supported a second tuner gives access to a good bill.

nice detail, it has a small effect loop that allows a insrer PDAL eg start of string (before the pedal simulation) used to practice or not an external pedals without having to enable or disables every 5 minutes I've got a branch distortion pedals of this fawn little or not I include in my preset and without ever touching it.

SOUND QUALITY

I ssay the Pod XT Pro for 1 hour, though I did not reach tripotter the rglages was anything special. I plustot jou in a register extreme (death metal in general) but also clean and bluesy crunch, I never managed to have its very realistic (I always test these devices to the headset, so less easy c) has arrived and the ToneLab, then it's a vamp, just the preset, which are not great for the most part already monstrously sounded better now that all the tampering that I could do on the Pod, and once part of the r tings, very simple in contrast to the pod, it really has the sound.

I would like to talk about the fameu valve reactor, so the lil loupiotte clear by an orange LED. it is associated with a command named VR gain is therefore acting on the gain of the famous lamp simulating the power amp. Well this little thing is bonement miraculous, it brings warmth and dynamic simulation it reproduces even on some simulation of the saturation power tubes with a certain realism very enjoyable to the ear

So we find with this system sounds very realistic end (even if I do not know if it really looks like the originals) as on vintage amp crunch or clean (through the simulation of AC30 is a turie) as large distos hi gain channel.

In terms of saturation, I read everywhere that they are not adapted to the metal. I believe those who say do not have much ca ssay the beast. personally I find my account WIDELY.
I m'explqiue, the most part of simulation hi gain are in fact not so hi gain that it alone, but it is enough to trigger one of many available on the overdrive gear and c hiroshima! Although little is rgl therefore have very good sound very saturated style suitable for all extremes.
I wish also prcis this machine does everything have potential as a good sound system or a keyboard amp, a guitar amp sound is very ALTR and is not optimal. less may be a plug it into a power amp and guitar to cut simulation HPs ....

The effects section is not bad at all, you just choose the same order of chaining effect section 3 after the preamp section (modulation, delay, reverb, therefore, in any order). in general they sound very well, even vintage for sure. some simulation pedals are very average, however, the fuzz sounds pretty bad example, or the pitch shifter if used in very extreme rglage and especially the fact that it is placed after the saturation. Similarly, the Octaver tends adcrocher the low E (in E and F are gnrale adcorcher trend but above ca arranged). The one in the other ca is very good and very usable, not gadgets at all!

basically it's the best simulator t given they like me to try, not k'on can not make very good thing, but with the Pod c TElement binz argler as a cd definitively not for me

OVERALL OPINION

I have the gear for about 1 month franchemnt and I'm not, I do some recording and c nikel. I buy it without hsiter!
Go to the SSAI and buy it if you like

All t adj said on this subject. Usefulness of the lamp ..... I also have doubts (unless it's beautiful in the dark), but hey you can not vrifier then you believe.

UTILIZATION

Using super simple. The ergonomics are perfect for a guy like me who dtest navigate menus and submenus and prfre far turn of knobs.
The interface is so well done that the manual, also not very big, is almost superfluous. IT is useful nanmoins trs this manual as it contains mostly advice for rglages of modlisations amp or HP and that's very useful.

SOUND QUALITY

The modlisations and effects are really at the top. We go from a super clean the distal-most saturated with no hard problem. There is just enough, no frills, this is why it is simple to use trs. Unlike many other kinds of pedals it does not possde plthore effects, but he does it well fai trs.
Chechi me that long to get close to the famous sound of Hank Marvin Stratocaster with my, well I got there (well almost ....)
Adding to insert a Sansamp GT2 (without putting drive) is the foot! It adds more heat certain sounds (better than the lamp .....)

OVERALL OPINION

I only hack it for one week, so I am far from having made the tour.
Quibble on the pedals dbattement which is a bit too low (-1 to score).
That's all I found as a small inconvnient up psent.
It is not given (595) but worth it.
Post-ME-8, well there's no picture! It's really not the same CATEGORY. Mrs GT-6 I had the opportunity to try to get this far is sound quality.

Full effect, I have not done the trick. The classical, gnral unless a filter, to be seen.
There is simultaneously in the air, sr.
There are a publisher Mac / PC Tlcharger (2.7 MW).
Connectivity noon but no digital audio output. The Tonelab, there was the release numrique but not the effects loop. The Tonelab SE, there are the effects loop but not out numrique: in short, is the butter or eat it. I prfre the effects loop, I will be a more useful I think.

<p class="bbcode-cite"> Quote: <span>Is this a rack or rack MODEL?</span> Ben dj as I said in another opinion, this is as always, must cough up for it.
That said, it is the rack, but in this case you really get the leg to operate the switches is not very practical. And I have more 20 years.
.

UTILIZATION

Ease of use:
- For simulation models: as with an amp. You turn the knobs for gain, EQ and volume, fastoche.
- To the effect: the explicit use of buttons, too. Easy, even for a scratch.
- For simulations pedals: the same as for the effects. Soooo easy.

Even easier with the software, the rle of the buttons is carrment indicated depending on the type of effect is applied.

There is a choice in the routing effects.
We can insert an external pedal, and more simulations dj Submitted pedals (I think I'll put my little Rotosphere me that I love).
Two control pedals: has twice as many possibilities as other multi. One for volume and one for ... what you want! (Almost)
(Only problem: when I play standing up, if I use the two pedals of CONTRL simultanment, I break the figure and has a night and my concentration adcrdibilise my game for me Submitted scne the Star'Ac '5).

Use the top, so ... (Even I am confused is to say)

.

SOUND QUALITY

Sound quality: not too bad for the presets. As I do the guitar, I will not use the presets that 95% of cases! (Take me to the cabbage). The other 5% I will like everyone else, j'achterai another multi-effects with the sound I'm looking for!!

Seriously, good effects trs configurable. We must find happiness, whatever looks like his (ouiiiii, even metallics!).
I have not notice too much for simulations of pedals (stomp boxes I mean, I speak no sissy simulations, pffff) n'tant not a big consumer. If the bass distortion works well, I can say it has.

.

OVERALL OPINION

I use the machine for several months. The sound is good, look good, use not seem too complex, the weight is heavy, made strong (What? 6 kg?? OK then 6 kg)

I tried the same MODELS waters, but they seemed less suited my sound color (the blue, rock).
BOSS: BOSS's too typ. I do not know why, I do not like too Boss. But not come with a m'embter, I tell you that I do not know why.
LINE 6: cost a lot Pod XT Pro. Well, but the clean sounds and crunch seemed set back from the Vox. In addition, c'tait more.
DIGITECH: no, I'm really the FCH with them now.

Finally, a note not bad, wwwwouuuuall.

Adding After a few months of using the house.
Sounds really good, just as convenient to use.
I plugged in my Mesa DC5 (sometimes in between the guitar, sometimes in return effects), a good good sounds good ...
I confirm the good impression I had. And notes.

Everything said before t adj.
For me it is largely complete. Need too burdened by unnecessary things.
The connections are, in my case, sufficient.
Shuffled numrique / lamp. Remember that the lamp is not Submitted a lamp pramp.
I am going to Paris center effect, and the guy held me firmly that was why (bravo professionalism, not even covered the manual ....) this seller
It serves as a mini power amp power circuit. VR allows gain to control this one. It does not turn since the tensions that are appliques are Minin. Only one LED illuminates the whole. Note that the ToneLab SE takes a while sound, apparently the time the mini circuit heat lamp.

UTILIZATION

The use of the machine is clearly easier. The manual provides a good approach, and everything is clearly explained, with tips, anecdotes etc.
You just need time to find these brands, then everything is done quickly. A small BMOL rglages on the initial position a parameter is only visible via &#39;origin&#39; on the LCD, but hey it&#39;s normal since everything with knobs that RULES are not motoriss.
The edition is when even sounds super simple, I had a multi BOSS before and I find it more intuitive and really fast.

SOUND QUALITY

I wanted an amp simulator in order to work sounds, make me a little ear distos on the overdrive, lead sounds, rhythms and so on. I also wanted the effects of relatively good quality for use on stage.
The ToneLab is truly comprehensive.
In dpart I just deu t, I turned the knobs all over the place and I was not completely satisfied. It is imperative properly connected the ToneLab. I started using it on my amp and it was not terrible. By removing the cab of simulation ca becomes much more fun. It must be plugged into the PA and how to LN (line). I then try to plug it into my hi fi rotten, and the sound became much more fun. It really gets the momentum, the feeling in the sound, I&#39;m really surprised. You have to work these rglages if we want a sound you love. It is not as complete a POD level effect, and Luckily! I have already struggling to manage everything, so I am concentrating on SETTING THE bases, and that&#39;s enough for it. Then I try on a good amp with speaker HIFI 200W 150W and serious ca dmnage serious! It&#39;s amazing, I could not believe it. Sounds clean, clear, hot, prcis, drooling, crystalline, it can really have it all. Some tell that distos are not very violent, well I know what they need. By mixing a pro co, the simulation Hi gain too much load gain is obtained already good sound of the chainsaw to good nag.
I confess I am rather rock / hard rock but that mtal ca dmnage not bad, its basically saturated.
Expression pedals are a good dbatement. Other parameters, nothing to say. The wha are interesting, you can configure a lot of parameters.
I use the ToneLab SE with a Gibson LP Studio, and the sound of the guitar sounds too saturated is really good respect for the numerator.

A large volume (very loud) you get a sound a little too sharp. You either have a equalizer out (but bcp of breath) have a neutral amp equalization. Ca hard and well as it should, you get the sound you want, low or high volume. But beware the rglages change much from one another.

For the home studio, it&#39;s nothing to say niquel, the simulation of cabs is interesting in re-cutting the eq for the future is quickly done well, and it sounds from hell!

OVERALL OPINION

I for a month, nothing to say it&#39;s solid, the bag is handy.
Most are its dynamics, the sound palette ranges, sounds cleans the fach of very good quality edition of the patch via MIDI and rel, these classic effects, but effective, the posibility to control for the live (A / B switch, button control, two expression pedals.

The only problem is the fact that you can not used more effects pedals section at the same time.
We must make choices. But we can add a pedal insert beginners chain, or use the effects loop for adding favorites effect.

The quality is exceptional price for me. We have a simulator and a pedal for live. Sounds are Nickel is one takes the time to rgler, or patches of Use of those who know rgler
EDIT APRS ten of me:

Well just as happy! Or even more.
It really is super convenient and the sound palette is really excellent. I redcouvre sounds all the time, and I gladly add more effects to enrich without altrer.
My LP sounds just as good, and a layer of good quality in it is a marvel.
And the only regret not being able to insrer a distortion pedals with a wah or a fuzz or Univibe etc. (in short all the pedals is not Dublic section), but with the A / B switch or by changing the patch (no latency) goes niquel ca.
If you try the ToneLab, ask a good sound system, turn up the volume, plug it a good scratch, a jcm 800 cab with the AD412, all the knobs of the amp except moit VR gain a background c bluffing, excellent, I can not get enough. Try also with the vox (well short with all the amps)
I would do without this choice problem!

I just got it, so it will be succinct, I can be more that I play!
Doc Fr, b packaging, transport bag ... Nickel rolling!

UTILIZATION

AR, c as any such products. Shame that there have no more of flexibility in the prog. We confined each family (modulation / delay / reverb etc) we are limited when one wants Wha shuffled with a simple example accoustik (bah yes, it sounds pkoi if not is it?? Lol ).

Beautifully made, ca sweat the stuff of warrior, which makes the scene. Ca c caustaud!

SOUND QUALITY

Um, good ca ... c hot c round Sounds natural ... I had a POD xt, and I do not want to revive a guerilla HOnet but my ear ... c day and night!
Large positive (among others) the Tonelab SE meets the sound of my guitars ... I rediscover my musicman ptits and EMG (I almost had to sell because of the XT becaufe any selection gave approximately the same grain ...). And Les Paul? huh? She finally breathe small!.
Short as happiness. You know you actually qd tape on the stuff, it's been 3 hours that you are on it without realizing it c a good sign.

OVERALL OPINION

Well not surprisingly, excellent.
However I will watch for the arrival of a future gnration SE. It bothers me a little qd even to feel limited in the Fast Fashion exprimentale sound ...
Otherwise go for it! c really good, good, good.

After months ...
Excellent I kif

For features, there's nothing like going to look at the site of Vox o you find all the information and records (I personally found the sound recording trs cold while it is ULTRA HOT but ca ide gives you a little ....)
http://www.voxamps.co.uk/products/tonelab/tonelab_se.htm

Well the first thing to say about this machine is that it unsimulateur amp.
The basis of its technology is the simulation is to say that the boss ing that the Vox tone lab have sought and found the laws between output amp ultra Diffra known (Vox AC 15, Vox AC30, Recto, ...) and have Intgr in a computer. This computer acts as the amps it simulates. Output there is a double penthode (a lamp in French, Valve for our british friend or tube for the Americans), the sound irchauffe thanks its imperfections and your exact need is admirable ... to set his guitar lots of effects to sound, the amp (simul. ..) takes care ... the sounds are super fat, warm, beautiful ... They did a super work ...

The deuxime point (not ngligeable) is that they do the same thing for the cabinets (the cabinets) and analog effects (delay pedals, distortion or overdrive known ...) the the result is also impressionnant.vous can plug any amp head to any speaker so you CRER interesting couplings.

The third point is that this simulator includes two assignable expression pedals any effect o effect parameter (eg speed or depth of the chorus, delay, etc ...) can do anything ... This includes pots pedalier ... No more buttons to navigate through the sub-programs, you can finally touch (aa look like much ... but what a pleasure to directly control its effect) and then the pots are trs precise ...

Euuuuh what I forget ... yes cot nickel and wiring is a little more for MIDI and between the headset and the volume cot ... also aa look like much but life-changing headphone when you play then you try to log in directly on the PC ... you can easily change the output gain. Cot strength to say anything, it's tough ...
Here I think I go around, so in summary it with an amp simulator effects Intgr which is a large 10 trs.

UTILIZATION

Cot is highly intuitive user ... if you've had amps and analog effects you will use it 10s ... The pots can help you greatly ... you ring the device directly, but if you want to re-create the original sound of the amp must be simultaneously read the manual (very well done elsewhere and not boring to read too). They explain how they simul amp and rglages do to it sounds like the original (often it is just 5 rglages caution against it).

You also have four memory bank 24 ... o you can save every 2 amp (channel A and channel B) an expression pedals (if needed) modulation, delay and reverb .. . meaning that you have room ...
as I said above, you can rgler all parameters of amps and effects and assign them to an expression pedal to control direct ...

10 So also good but I suggest you read the manual at least once to better understand the jewel you have in your fingers ....

SOUND QUALITY

Euuuuuuuuuuuuuuuuuuh ...

Nothing to say ... Try ...

I had the opportunity to play on a 1960 Vox AC30 and I simultaneously with the Vox tone lab, euuuuuuuuh no difference ... same same reactive heat is fabulous ...

a friend told me "did you finally stop to the hobs effect on your scratch" ... I'm surprised not to play with the simulation of the amp and cabinet ... why kill a great crunch of a VOX AC30 with a chorus?

The module is it same effect as trs impresionant that you ask for?

Like 10! ! ! with a little more for the beautiful grain of the amplifiers and the possibility of dispensing with real amps and miking Registration ... (try it nickel ...)

OVERALL OPINION

What about Global finally notice?

Uh VOX THANKS! ! !

If you still doubt try.
If in doubt between the POD or the vox then no longer doubt ...

Does everything said above .... a wonder ede tchonologie without too many buttons and decision-head

UTILIZATION

- Is simple .... you know rgler an amp? ben c and such .... the pedals? c such as ....
- Too easy I have since yesterday and recorded my GoJ banks of effects ...
- A manual? yes very well done by a guy who touches the bottom and gives a good REFERENCE ... the manual for? yes ... the first 30 minutes

SOUND QUALITY

- Ralistes, yes ... you want to play a marshall? a vox AC15? c, well done!
- I use a les paul and a Start ... well nothing to say ...
- I have not seen dplaiz sounds to me, that I love? DIARY sound with all the effects programsa the origin and CH A / B

OVERALL OPINION

- 2 days ... and I do not regret .... gt beginners to come to a GT8 ...
- The most: very intuitive ... everything is customizable .... everything is idiot if you had the pedals one after the other with rglages and everything
- WG8 but I immediately stopped .... it seems to play a synth ... and thank you headings -> sub-sections -> menu- -> sub menu .....
the vndeur said the tonelan to 2 days of manipulation with the GT8 .... 20 days ...
- I got a great price ... so no comment
- I would do ... but good 2 c as a. .. I have not used a koi!

------ As the warm lights, the bag very useful because the beast is 3.8 kg .... a real bb!

Pdalier of bourrain, trs impressive, lit in the dark, the effect is guaranteed star wars lol!!
2 expression pedals, a nice 12AX7 tube being protected by a cover trs solid (as long as it not jump feet together). an editor mac / PC is available.
many effects (normal for a multi-effects) of modlisations, and presets (24x4 = 96). rpt everyone is a few times, but it is convenient to make their own patch from a preset already exists. trs beautiful book in its cover, so good ...

UTILIZATION

VERY VERY simple, and for proof, I reu manual in German, Spanish and chosen second language, I have found everything alone, and it works thunder! only problem I can not grasp the principle of the button CONTROL, m'enfin, everything else is very simple, intuitive trs!
was the question The manual is clear and sufficient? ... <p class="bbcode-cite"> Quote: <span>The manual is clear and sufficient? ...</span>
the bin ..... I yrpondre evil, but I do not doubt that yes ....
PS: excellent! connect headphones, turn up the volume of output, and you can play in silence without the amp!! very practical, especially since the sound is pure pure pure, and you say that nothing is better!

SOUND QUALITY

The effects are drastically, fantastically, tonnament, unconstitutional (not the I m'gare DSOL well made, either in fact or in effect modlisations ... I made a sound 100% Fender, and much smoke on the water as if I shut up!! you can do anything, I programmed the exact sound of Nothing Else Matters, a good sound correct, everything! the transition j ' the opportunity to say two things: First, my gear: I change, I talk about my guitar, so until I had a scratch 180 (which is also excellent) and a JCM 900 with EL34 Groove Tubes and the sound is wonderful dj! deuzio: I also play the death grind (like Vital Remains, emperor, immortal or (...) Carla Bruni) and must be sought by searching a bit but good and polish thoroughly, you can find one close to the trs moonspell, or venom, but it's a bit tense at the sound of choppers, a little tight ...
just for this tiny default almost non-existent elsewhere since I found my happiness, I put 9 "only" hi hi hi

OVERALL OPINION

I've had 4 or 5 months, and I'm delighted, it is phnomnal and this aprem yet I made wonderful Discoveries may be due to the absence of other manual ...
Patrick RONDAT the sounds give the whip, and the crunch has jimi send to the moon!

I is not 10, because perfection is not of this world (although, now c'tait ....) but if possible, I would put 9.99!

CHARACTERISTICS see on this page (http://www.voxamps.co.uk/products/tonelab/tonelab_se.htm).

The machine is of robust design, while mtal, portards the game and do not seem trsrsistants.

Related questions: not unlike the output numrique Tonelab tabletop version and no USB. However the device can be connected to the PC via the MIDI and it has an effects loop.

UTILIZATION

Gnrale configuration is very simple. I do not think you can be classified as CATEGORY "I want my sound 2 seconds." If indeed we can find a good sound trs quickly, you can also spend time on the machine to make the sound.

Just for making sounds, nothing ever does so easy and intuitive. Like any analog gear: turning the knob and changes the sound effectively. The camera menu is also limited to MIDI and the choice between exit and AMP Line.

The manual. Worth dtour! beyond to be good and sufficient trs is the way people fawn Vox Submitted home the hardware.
Little Quiz Vox:

1 - MODEL This is a low PDAL APRS baptize one of the least apprcis rodents of the plant (about one of distortion pedals )

2 - A model of shooting a traditional analogue flanger that "dchainquot, one of the greatest guitarists Whereas by many as the" god of tapping both hands. "(About a flanger)

SOUND QUALITY

If reading the book is funny, ds that we touch the machine, everything returns srieux.

Simulations: Excellent! ralistes, they are perfect all kinds of music, except for ultra-mtal and others (even if I believe in the register any amp simulator is effective). Vox has taken care to offer the original amps rglages. If there was no SETTING THE gnral volume on the original amp, there will not be on the Tonelab SE.
I branch blues, jazz and fusion type UZEB Tonelab and it is right up my alley.

The speakers: I did not test mixer but on computer. L simus the speaker is excellent and perfectly fulfill their rle. They all bear a stamp and diffrent any amp simulation derrire.

The modulations of variable quality. Pitch Shifter example suffers from latency and sound trsmtallique. In contrast, chorus, flanger or even the octave are good trs. The Wahwah Vox is a choice of 847 or 848 (Clyde McCoy signature). On this point no surprise, the quality is l.

The dlais and rverbes: dlais the trs are good, several types, all usable. Nothing wrong. The rverbes are good, some may sound a bit but there mtalliques paramtres adjustable enough to make adjustments.

The Stompboxes: The quality is also to go, even if I am not convinced by all modlisations, the Tube Screamer for example, is not hot enough I think the Tonelab SE, unlike I possde true. This is not the case, however, the simulation of RAT (rponse question 1) which according to one friend "is the same."

I play with a Lag Roxanne Standard 1000 bought two years ago now on a Marshall MG-100 DFX. I have not had time to do tests on effects loop on the clean channel of the amp, the amp's effects loop Tonelab, etc.. your exact but is excellent. Of course, we must think out of the switch Tonelab amp line.
I use rgulirement studio Fender Twin, Roland JC-120, Fender Hot-Rod Deluxe, JCM800, 900 and 2000 and the sound of the Tonelab is close to the Ralite trs.

OVERALL OPINION

I use it for several days, only computer and amp home. First concert in a month, I think I will update this time to confirm or refute my opinion on this product.

For now I am extremely satisfied. Positives? I do not know which name as PRIOR! There normment!
Look -> light + dual expression pedals silver + red LEDs, + case mtal = 10/10
Sound -> simus ralistes + + all usable combinations with good effect = 9.5/10 (trs sound enthusiasts will not find heavy forcment got them though ...)

In addition it is a book with a cover in rigige matriau cordura type. What more? CONNECTIVITY a PC? the machine is easy enough to use without it. May be an optical? the same is not a big default as the quality of the gear is good.

I have not had the opportunity to test Live XT and GT-8. I think a lot about the GT-8 and Boss gnral, but I think the Tonelab SE or for use LIVE Studio is much better than the GT-8. I do not rule in the future of acqurir a GT-Pro, but there again, the quality of this device galera does that of the Vox?

Bought 440 effectcenter Paris, I would do without hsiter choice!

Systm trs complete and relatively easy to use

UTILIZATION

Everything is no problem

SOUND QUALITY

For this point I venture to put a notice on this forum:
The Vox ToneLab is an excellent multi-effects and amp models are really nice.
I have fun playing it, but it must be clear, the sound quality is not comparable to a system that luxury.
Do not imagine that on "AC30 with treble boost" you're going to scare Brian May.
The definition of sound is always less prcise with a system that simulation.
This is important because prciser lisanrt advice personally, I thought that was a ring with the same quality as my VHT GP3 Systm, Marshall EL34 2X 100, TC Electronics GForce, Marshall 4X 12 vintage
So the no! trs is not much but it's really good but is more versatile 2 ct one of the other there is no picture
Similarly, I would say the sound of each guitar is a little packed in the same bag with the VOX while the amplification values ​​quoted above any of his grade.
Mange all things as I do not regret this purchase

OVERALL OPINION

For price quality ratio is against a top

See everything the site says or does Vox

UTILIZATION

It's pretty simple to use, but it is a factory gas useless (I explain why below)

SOUND QUALITY

Effects as much as you want, what for?
The simulation ... it parat some prfrent the inflatable dolls (that mchant, I think so!).
What effect I prfre when the Tonelab is dyed! (Apologies for the humor)

OVERALL OPINION

I'll play the empcheur around in circles.
As for the hardware boxes which I think does not MRIT same.
To place myself, with more than 50 years, I prfre authenticity of these devices. If you dress in a Twingo Ferrari, you will not have a Ferrari.
A friend informed me that prter multi-effects for me to try it and it does not t my dception.
The dressing, all you want, the real one is away!
Plus, who can certify that it will use all the effects (some trs relatives) on offer, or those crs, the feet are warm on scne to switch because the other unless you want to tap dance at the same time!
I test a sound system for amplification neutral for me this tape of the eye. A beautiful woman makeup too.
When I board on my Fender lights, I suddenly will appreciate the warmth, roundness and everything of his I had.
I quickly packed up the Vox to return the expditeur regretting the hours that I had passed on, yet knowing that I left with a positive attitude after reading DIFFERENT review
At the friend who was the Vox prt Ricardo Moyano (a large matre, see online). He took the Tlcaster (to try) which had t make me use a BMD. There was virtually no effect on the Tonelab and when he has played c'tait magic, he would have had a rotten guitar in hand, it would have t as magical.
Résumé in a nice little amp lamps, two small pedals (distortion + chorus) and a trs good technique and it will be perfect.
It is tempting to hide the weakness of his game by layers of effects, such as makeup can mask an ugly button, but the illusion does not last long. It is useless to copy a particular sound of any guitar, you have to play as we feel, with its guts, to make a key piece, and not to imitate the magic happen (the sample included no shortage of fabulous ).
You have to work his instrument well matriser, the effects will be useless.
If I could, through my opinion (only mine), at least discourage a person from making this purchase I would be happy. Let simple, let's zen .........
In conclusion, my apologies for this svrit this is only my opinion and I fully assume. I give everyone the right not to be agree with my opinion and for some owners to be happy with this device, although rflchir before making this purchase and ask the right questions.
I will end with the beautiful phrase of a reader / user, who has written for me to comment: "It's the marketing that goes CRER needs nonexistent." This sentence is very clear and gave me a great pleasure. A MDIT srieusement.
Good music.

Everything is said in the CHARACTERISTICS. I put an 8 because it lacks an outlet for the home studio numrique c'tait and top notch. Without a, 8, DSOL ...

UTILIZATION

Pure rgal use. It's like the real amp, you move a one knob millimtre has you change your sound. This is something not found in pod. In addition, the initial sound is not dnatur. You put a JEM and a BC rich in a pod, you will have the same sound, you do the same thing with the ToneLab, has changed dramatically. The hyper rglages are intuitive, simple and trs trs complete. It's nice!

SOUND QUALITY

EMU in 0404 with an ALESIS M1 ACTIVE MK2 for now I only test home studio setup. First concert in one month in the cellar Zique MCON I dir over that time. What will be given t on my mesa recto 4x12? For home, factory presets are, as often, not great. Fo rgler, handling, tampering, hacking and started coming. Yesterday, he sounded better than before dja yesterday and today, it sounded much better than yesterday. So Fo time. At today: the main strength: the roundness and warmth of the lamp. Less bright than the pod, prcis less, but more warm, fat and slimy, like a lamp what. This is most excellent. Nomtal, go your way. Fan of Black Sabbath, heavy or the 80/90s, is all it takes. This bluff me the most is the floor of effects (modlisation, chorus, rverb, delay). It's thundering, enough to build a clean sound crisp and clear fall for arpges bluffing. 8 for short time because I have not found the big sound of death for killing ki distos (I approach day APRS days).

See next section for advice several months of use APRS

OVERALL OPINION

Tros tt to give a full review. I will say good working basis. Dconcertante ease of handling and programming. Natural warmth of the lamp, multi-effects section trs well made. Floor simulation amp less convincing than the pod pro sound quality but catching the lamp ECC83. Trs robust for scne. Lack of connectivity for recording numrique. Trs good feeling for expression pedals. Request further test to be able to more than 8. Lack of patch on the Internet (harder to find than the pods). Software and MIDI transfer very simple and fully developed for rglage presets

Back on APRS ToneLab several months. Ay g is the big sound of my dreams! A real killing. How a device like a ti he can do to get power and a grain like ...? G DMOS I can send you via MSN: contact me on "jeanmarcbertrand1@hotmail.com" It's stunning.

So I changed my rating: 8, I spend 9! (Still not 10 because of severe lack of optical output ...)

As for patches, the online community of users continues to grow Tonelab days APRS days with more and more sites conus, there are now all it takes. Excellent!

In short, the sale? Never! Buying a life! And for the price and more ... Less than 500 euros, it's crazy! VOX thank you!

For specifications, see the official website of Vox if they are! (And they are)

To summarize: The Tonelab SE is an amp simulator with a few basic effects, which can plug into a guitar amp or live on a sound system or recorder.

UTILIZATION

The ToneLab has a gaggle of buttons and knobs, but it is very easy to use: Most of the buttons are for one function and one, so we found it very quickly once you took his bearings .
Editing sounds is simply to turn the knobs and save the configuration once you have obtained the desired sound, hard to get any easier.
After, there is more than the scroll at the bottom.
It's simple, practical and effective.

SOUND QUALITY

Here we are!
For my part, I use the ToneLab amp free, live on the table and I hear in my returns. As I play keyboards and guitar on some tracks, I was looking for a machine to do without a guitar amp on stage, but still have a good sound and some effects.
The result is very good to my ears (and also the rest of the group): The sounds obtained are really good, warm, very clean, there is no sound loud or aggressive in the treble (do not exaggeration of the equalization, of course), the illusion of the amp is there. I had a Pod 2.0 before, I find that the quality of the ToneLab is better and more consistent: It can sound very well on all types of sound, especially in clean & crunch.
The effects are provided the basic effects and they are quite successful. So actually, you can not chain after 10000, but hey, as long as we can have a chorus + reverb, me, it is more than enough, otherwise use as a synthesizer!

OVERALL OPINION

I have my ToneLab for several months now, but I waited a concert before posting my opinion: In sum, the sound comes out of this thing is really pleasing to the ear, either in clear or in crunch in full. It's less than a good amp, of course (less dynamic, less attendance, less "light"), but it's still very good (no sound shrill or metallic), and that's what I looking for. In addition, the ToneLab respects the nuances of the different microphones: the sound changes color when I splits the pickups (Seymour Duncan of) my guitar single / humbucker
I had a Pod 2.0 before, I prefer the Vox by far! (But then it's also a matter of taste)

Note:
-Factory presets are not great, let's say there are too many sound "gadget" and are good to throw away. It's a shame you can not use it as a "working base" for each modeled amp.
The beast, still demand a certain learning curve regarding the development of presets, get a good sound is not immediate, given the number of parameters to be set.

With experience, this choice I would do without hesitation!