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rakoto « THE exceptional vintage sound »
Published on 11/05/12 at 15:00I use it for 5 years on a Godin XTSA in the neck position.
On my other guitars, I have a Gibson 57 classic in the neck, and I wanted to change.
Very warm, with less than 57 classic medium, but suddenly more balanced choices, with generous bass and treble not aggressive.
With this microphone, my Godin solid body arch rivals my tops for a pure jazz.
I would say it is less "articulated" bitten less than the 57 classic, but suddenly it is softer ... metheny jim hall, but not too green and kenny burrell grant. it can also sound with modern effects ...
a bit pricey, but for me, it is an alternative to 57 classic. Anyway, I think there is one reference 2 humbuckers for jazz. I'd be curious to hear a guitar es 175 type, because already a solid body les paul type, it's just like a killer vintage sound.
otherwise, my model is simple connector, so not splittable ...
On my other guitars, I have a Gibson 57 classic in the neck, and I wanted to change.
Very warm, with less than 57 classic medium, but suddenly more balanced choices, with generous bass and treble not aggressive.
With this microphone, my Godin solid body arch rivals my tops for a pure jazz.
I would say it is less "articulated" bitten less than the 57 classic, but suddenly it is softer ... metheny jim hall, but not too green and kenny burrell grant. it can also sound with modern effects ...
a bit pricey, but for me, it is an alternative to 57 classic. Anyway, I think there is one reference 2 humbuckers for jazz. I'd be curious to hear a guitar es 175 type, because already a solid body les paul type, it's just like a killer vintage sound.
otherwise, my model is simple connector, so not splittable ...