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Tornade MS Pickups Strat ’60s Serie L
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Tornade MS Pickups Strat ’60s Serie L
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Mamati Sama Mamati Sama

«  Really good! »

Published on 06/23/13 at 13:18
Choosing set microphone is quite risky, difficult to realize with some opinions and videos if its one you will like it. Yet with microphones Marc can only be satisfied!

I use a set on a 60 strat (classic player 50) to replace the set of fender 57/62 of this base. And already with these mics to my luthier he was impressed by the quality of materials and manufacturing!
I wanted to change the microphone because I was tired of me 57/62. those are good, but my taste is too standardized, and their long I found a lack of dynamism, roundness and grain.

I tested my guitar once mounted on a fender DRRI and Orange TT. The cleans are really impressive dynamism, each microphone to his personality and each sound is usable even middle pickup which I'd never used before. The sound is typical, the pickup is slamming without being garish, the handle is qd him well rounded without losing attack. Intermediaries are in line with expectations with the qualities mentioned above. Short but good all good, and the gain (crunch & overdrive) sound opens advantage and we enter another dimension! The grain is accurate, is natural and set with an incredible dynamic.
Be careful though with a large saturation level, I got surprise to have feedback on the scene was set for my overdrive as before with lots of gain. Therefore benefited the max of these microphones with grain must be the preferred game volume knob (or revise the gain on the pedals and the preamp of the amp).

For the price (with 215th pdf) I find these unbeatable microphones to "standards" that can be fender (57/62, C69) or seymour duncan (SSL1) on both the build quality and sound offered by Marc. In short, we know what we are buying, microphones top wig (& made in France!) Which transforms the sound and gives a true personality to your guitar!