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linn134
Published on 10/14/07 at 23:36
Big plastic keyboard, yet pro trs.
At least "pro" as you could still say the machines for people srieuses srieux.
The one I'm going to cause a silent version 3J OS, so a K2000 V3 option without sampling.
The keyboard is nice, though a little soft, but you get done. It's not a heavy touch or ballast version but a real keyboard synth all springs.
The machine is heavy modrment compared to large steel machine of yesterday and today.
We will explore the synthse VAST for years because it does not tame as fast as the analog modlisation. And of course, the interface is type "90": no analog knobs fawn.
The polyphony is variable and I could never take the default of the ct l.
MIDI sequencer and everything else is a real say as britons Workstation.
UTILIZATION
- The configuration gnrale Is it easy?
Absolutely not. Question handling is all about learning. The Kurz 'is as far as respect MRIT by connoisseurs. Nothing is IMMEDIATE and it's the only vritable default. Ergonomic nightmare, as menus, pages tail single file, options in all directions.
A real head-taking, textbook required if you want to draw autrechose the factory sounds.
- The edition of sounds and effects is it easy?
In beginners, no. But when we understand the principle and acquired some automation has become clear.
- The manual is clear and sufficient? ...
Hem. Not really clear and just as little enough, but at least a push to move the derrire to understand.
SOUNDS
- The sounds they agree your style of music?
This keyboard is a synthesizer, a real, not a groovebox or sound bank: should stick to it and practice a lot. That the grain does not satisfy some (give subjective) is comprhensible, but we will judge after his one real program.
- Are they ralistes?
Not too much, put a few good pianos and organs trs typs hallucinating.
It's a matter of sample and programming for the party stuff and your playing to the "art".
For other questions, nothing beats a concert by Jean-Michel Jarre and Pink Floyd, Listen and you'll understand.
OVERALL OPINION
I do not use more recent years, lack of space. I jealously guards a K2000 RSVP in a corner away but the keyboard is over. Not that he would have dplu, but lack of space ...
I really apprci dynamics and the complexity of its programming: trs far we can go into research and modulate this with a great expressiveness.
I had tons of synthetic (yes, it's possible, with keyboards over 30Kg is quickly seen ) And it labeled me a lot. I'm all analos and income between the VA, the PCM, FM, phase distortion ones (Casio) etc ... The K2000 is a legends, a real nice tool synthse. It's ugly, boring, but TRS program endearing.
It is a vritable instrument: it will not work with eager and knows how gnreux with the Braves. Tame it, it's a machine of choice.
Report qualitprix current IComparable. The sampling option is not used much.
Legendary, pro, cheap, strong, powerful and yet the page: the real deal.
At least "pro" as you could still say the machines for people srieuses srieux.
The one I'm going to cause a silent version 3J OS, so a K2000 V3 option without sampling.
The keyboard is nice, though a little soft, but you get done. It's not a heavy touch or ballast version but a real keyboard synth all springs.
The machine is heavy modrment compared to large steel machine of yesterday and today.
We will explore the synthse VAST for years because it does not tame as fast as the analog modlisation. And of course, the interface is type "90": no analog knobs fawn.
The polyphony is variable and I could never take the default of the ct l.
MIDI sequencer and everything else is a real say as britons Workstation.
UTILIZATION
- The configuration gnrale Is it easy?
Absolutely not. Question handling is all about learning. The Kurz 'is as far as respect MRIT by connoisseurs. Nothing is IMMEDIATE and it's the only vritable default. Ergonomic nightmare, as menus, pages tail single file, options in all directions.
A real head-taking, textbook required if you want to draw autrechose the factory sounds.
- The edition of sounds and effects is it easy?
In beginners, no. But when we understand the principle and acquired some automation has become clear.
- The manual is clear and sufficient? ...
Hem. Not really clear and just as little enough, but at least a push to move the derrire to understand.
SOUNDS
- The sounds they agree your style of music?
This keyboard is a synthesizer, a real, not a groovebox or sound bank: should stick to it and practice a lot. That the grain does not satisfy some (give subjective) is comprhensible, but we will judge after his one real program.
- Are they ralistes?
Not too much, put a few good pianos and organs trs typs hallucinating.
It's a matter of sample and programming for the party stuff and your playing to the "art".
For other questions, nothing beats a concert by Jean-Michel Jarre and Pink Floyd, Listen and you'll understand.
OVERALL OPINION
I do not use more recent years, lack of space. I jealously guards a K2000 RSVP in a corner away but the keyboard is over. Not that he would have dplu, but lack of space ...
I really apprci dynamics and the complexity of its programming: trs far we can go into research and modulate this with a great expressiveness.
I had tons of synthetic (yes, it's possible, with keyboards over 30Kg is quickly seen ) And it labeled me a lot. I'm all analos and income between the VA, the PCM, FM, phase distortion ones (Casio) etc ... The K2000 is a legends, a real nice tool synthse. It's ugly, boring, but TRS program endearing.
It is a vritable instrument: it will not work with eager and knows how gnreux with the Braves. Tame it, it's a machine of choice.
Report qualitprix current IComparable. The sampling option is not used much.
Legendary, pro, cheap, strong, powerful and yet the page: the real deal.