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Gretsch G6120AM Nashville
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All user reviews for the Gretsch G6120AM Nashville

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  • pyl86pyl86

    Gretsch G6120AM NashvillePublished on 12/12/07 at 14:34
    (This content has been automatically translated from French)
    Japanese team of two TV Jones humbrucking and a Bigsby tailpiece with a floating bridge, three volume knobs, one for a microphone and gnral slecteur a micro and a round of semi fast Tone

    UTILIZATION

    The handle is accessible across a highway and it is unfortunately a bit heavy but the sound is monstrous

    SOUNDS

    For all styles of music but can not be for a VOX AC30 mtal blues jazz is terrible too

    OVERALL OPINION

    I use it since 2005 some say it is too big but with the dpart training on classical guitar was not what I do drang MODEL is trs trs Aesthetics sycamore ond and the part it casts golden mcanique
    Read more
    Japanese team of two TV Jones humbrucking and a Bigsby tailpiece with a floating bridge, three volume knobs, one for a microphone and gnral slecteur a micro and a round of semi fast Tone

    UTILIZATION

    The handle is accessible across a highway and it is unfortunately a bit heavy but the sound is monstrous

    SOUNDS

    For all styles of music but can not be for a VOX AC30 mtal blues jazz is terrible too

    OVERALL OPINION

    I use it since 2005 some say it is too big but with the dpart training on classical guitar was not what I do drang MODEL is trs trs Aesthetics sycamore ond and the part it casts golden mcanique
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  • wesmulerwesmuler

    Gretsch G6120AM NashvillePublished on 11/21/09 at 02:12
    (This content has been automatically translated from French)
    Guitar made in Japan, an exellent quality.
    The sound is totally appreciable with a constant balance of serious acute.
    The two microphones U.S. are largely the height and make the instrument generous.
    The fingerboard is ebony high quality.
    The soundboard and back are extremely regular in the veining. Particular attention was paid in the choice of materials used.


    UTILIZATION

    The handle is obviously very well thought out.
    Critics on the weights are not justified. It is an American guitar to start with a very impressive specification. Must be reminded that it is a blues guitar?
    The general shape and the light color of the body make a guitar full of sensual charm.

    SO…
    Read more
    Guitar made in Japan, an exellent quality.
    The sound is totally appreciable with a constant balance of serious acute.
    The two microphones U.S. are largely the height and make the instrument generous.
    The fingerboard is ebony high quality.
    The soundboard and back are extremely regular in the veining. Particular attention was paid in the choice of materials used.


    UTILIZATION

    The handle is obviously very well thought out.
    Critics on the weights are not justified. It is an American guitar to start with a very impressive specification. Must be reminded that it is a blues guitar?
    The general shape and the light color of the body make a guitar full of sensual charm.

    SOUNDS

    It's a versatile guitar, good music for all terrains. Professionals know the music. For his brilliant blues avoid grains (which are also available but for the chorus)
    Easy to access and use.
    Very very good record, the sound amplitude is large. The microphones must be very precise and lower power amps, which makes a massive guitar.

    OVERALL OPINION

    I use this guitar for 4 years on stage (accompaniment and chorus) and does not change.
    This guitar is beautiful and make others envious. Attention to the curious who come too close! It is his only fault.

    Long time admirer of Gibson, I do not regret my purchase, even if the price is high. Know what you want.

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