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Pucelle_Dabidjan
Published on 12/13/09 at 11:03
Value For Money :
Excellent
For a first test, I will not dwell too long on technical subjects. The microphone does not belong to me, anyway I have not been able to consult the data sheet or dismount to take a look.
This mic which I consider super small compared to other Neumann, gave me a good sound. First, it is very sensitive to head movements. Then, the sound does not become immediately as flat as the low-end microphones when it offsets from its source. Anyway we are facing a serious product. Cons, it is sensitive to noise pop and proximity. Thus, a pop filter is recommended.
The sound reminded me of the tlm 103, with a linear trend into the medium, then high frequencies rise a bit with a side ventilated. The microphone seemed sweeter than its counterpart 103, the treble a bit more nuanced and matted. Overall, the sound seems better controlled, sufficiently well defined, with certainly less massive bass, but also a tendency to growl as easily as his counterpart. However, I do not like this signature can be called vintage. I'd rather call it modern but not without sensuality.
Overall, this microphone seems more at ease with the voice. Even with more problematic voices. And that's good because that's what I'm expecting from a Neumann normally, even a cheap one.
Naturally we conducted tests on other sources. Connected to an acoustic guitar. The sound was soft with a tendency somewhat muted (at least the "Pete in your face" on the TLM103, anyway). I would use it in preference rather than guitar accompaniment for solo guitar. In this case, the TLM103 or Violet Design The Wedge (which comes out very well on both counts) will be more the case.
For a guitar amp, it seemed too soft even though the aforementioned strengths below are handy.
In terms of background, it exists, but not audible.
The final strength, much cash it's very strong signals without twisting. it leaves the door open, full of experiments. Unfortunately I had no drums or percussion on hand to check its behavior with such sources.
OVERALL OPINION
I do not use it, I describe it after trying it! (Yes, throw stones at me)
I had to buy a new large-diaphragm microphone and I compared different things that could please me.
I have not used a lot of other models before. My experience is still incomplete. What I can say is that this is a good microphone for vocals at an affordable price.
For me it is that the purple Wedge design in the same price category. It has a similar sound but is much more flexible to use (and more mature in sound) than Neumann. But as Brand Violet is substantially less known, I do not worry for Neumann- it is sure to be a commercial success. For my part, in any case, it is the purple that has prevailed and that is what I finally chose.
This mic which I consider super small compared to other Neumann, gave me a good sound. First, it is very sensitive to head movements. Then, the sound does not become immediately as flat as the low-end microphones when it offsets from its source. Anyway we are facing a serious product. Cons, it is sensitive to noise pop and proximity. Thus, a pop filter is recommended.
The sound reminded me of the tlm 103, with a linear trend into the medium, then high frequencies rise a bit with a side ventilated. The microphone seemed sweeter than its counterpart 103, the treble a bit more nuanced and matted. Overall, the sound seems better controlled, sufficiently well defined, with certainly less massive bass, but also a tendency to growl as easily as his counterpart. However, I do not like this signature can be called vintage. I'd rather call it modern but not without sensuality.
Overall, this microphone seems more at ease with the voice. Even with more problematic voices. And that's good because that's what I'm expecting from a Neumann normally, even a cheap one.
Naturally we conducted tests on other sources. Connected to an acoustic guitar. The sound was soft with a tendency somewhat muted (at least the "Pete in your face" on the TLM103, anyway). I would use it in preference rather than guitar accompaniment for solo guitar. In this case, the TLM103 or Violet Design The Wedge (which comes out very well on both counts) will be more the case.
For a guitar amp, it seemed too soft even though the aforementioned strengths below are handy.
In terms of background, it exists, but not audible.
The final strength, much cash it's very strong signals without twisting. it leaves the door open, full of experiments. Unfortunately I had no drums or percussion on hand to check its behavior with such sources.
OVERALL OPINION
I do not use it, I describe it after trying it! (Yes, throw stones at me)
I had to buy a new large-diaphragm microphone and I compared different things that could please me.
I have not used a lot of other models before. My experience is still incomplete. What I can say is that this is a good microphone for vocals at an affordable price.
For me it is that the purple Wedge design in the same price category. It has a similar sound but is much more flexible to use (and more mature in sound) than Neumann. But as Brand Violet is substantially less known, I do not worry for Neumann- it is sure to be a commercial success. For my part, in any case, it is the purple that has prevailed and that is what I finally chose.