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Yandub07 « Sustain a madness »
Published on 09/30/10 at 16:28Manufacturing USA
Channel 22 frets slash Profile
2 Seymour Duncan Alnico Pro II
2 volume 2 tone 3-position selector
corp non chambered
UTILIZATION
the handle is a formidable fficiencyofthe very very accurate. Channel 60's late style change Lger slash profile.
CASC to acute and much easier on my studio 50's neck
The sound is standard sustain is simply incredible
the weight as it is not hollow like gibson but it is more current than my LP studio Legre the quality of the wood must surely played.
SOUNDS
I play a bit of everything but mostly rock
I play on Marshall JCM 2000 tsl601 Dunlop Crybaby pedal and Boss DD-7 CE-5 and MD-2
The clean sound is very good and quite clear round hot
and clearer than the LP with classic humbuker I testbr /> In spite of the distortion that can really Alnico II Tone as slash, anything is possible with some rglages are closer to their both m tal that blues
OVERALL OPINION
This is my second Gibson Les Paul.
Nothing to do with The Studio
1600 examplaires make a guitar with a precision of hell and sustain a sound of thunder magic.
I n'tait not a big fan of slash but I've become thanks to the Les Paul
I think I will keep my whole life an instrument of exceptional.
Channel 22 frets slash Profile
2 Seymour Duncan Alnico Pro II
2 volume 2 tone 3-position selector
corp non chambered
UTILIZATION
the handle is a formidable fficiencyofthe very very accurate. Channel 60's late style change Lger slash profile.
CASC to acute and much easier on my studio 50's neck
The sound is standard sustain is simply incredible
the weight as it is not hollow like gibson but it is more current than my LP studio Legre the quality of the wood must surely played.
SOUNDS
I play a bit of everything but mostly rock
I play on Marshall JCM 2000 tsl601 Dunlop Crybaby pedal and Boss DD-7 CE-5 and MD-2
The clean sound is very good and quite clear round hot
and clearer than the LP with classic humbuker I testbr /> In spite of the distortion that can really Alnico II Tone as slash, anything is possible with some rglages are closer to their both m tal that blues
OVERALL OPINION
This is my second Gibson Les Paul.
Nothing to do with The Studio
1600 examplaires make a guitar with a precision of hell and sustain a sound of thunder magic.
I n'tait not a big fan of slash but I've become thanks to the Les Paul
I think I will keep my whole life an instrument of exceptional.
