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Lâg Roxanne Studio
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Lâg Roxanne Studio

LP-Shaped Guitar from Lâg belonging to the Roxanne series

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Whybeblue Whybeblue
Published on 03/22/10 at 15:26
Manufactured Bdarieux (France) even if a is marked anywhere. In the era Lag did not manufacture in Asia ...
bought 5,000 francs (750 euros), Lag had not augment its rates ...
The quality of this guitar is phenomenal.
- Solid Mahogany body scuplt
- Maple neck collbr /> - mechanical lag ultra prcises that take great agreement (I grant once a year when I change the strings ...)
- A bit heavy but less than my Gibson Lespaul Studio.
- Indestructible polish
- 2 Alnico V pickups extremely powerful (more than 498 of the Gibson studio).
- Split each pickup to get a Fender sound.

The report qualitprix is ​​phenomenal for 750 euros Lag is Suprieure the Gibson Studio 1500 euros at both violin that noise. 10/10


USE

The handle alone justifies the purchase of the guitar, how to explain ... It is round without excesses, rather narrow without excesses, nothing to do with the buche that serves as a handle Gibson .dropoff window We play three times faster but mostly we can mount very strong tie (11/52) without ain the game playing comfort.
The body is small but heavy for its size! This gives a very handy guitar. The dcoupe Type SG lets go quietly teasing desti- nations most recently boxes.
Getting a good sound? It's easy, dj empty rson the guitar.

SONORITS

Power level, the microphones are at the top of Gibson pickups, they are also better dfini with sonnorit very lilting PRS fawn. It can also be hung in a stratosphere of his splittant microphones.

Neck pickup: Much better than the Gibson, sounds rounder, more velvety with a longer sustain. It is ideal for Blues and even Jazz or Blues Hard.
Pickup: I prefer the Gibson, the sound is more sharp hair drier. The microphone of the lag has more punch, but the sound is typ PRS. It's singing and open. It is east to do solos for chunky riffs. Good to rest when the same very strong. Lag sends big sound but less sharp and the right Gisbon. Which reversed when we split the pickups, bridge pickup curiously takes more grain, so we sound dry and sharp edge of a Gibson Lespaul.

In any case the sound is better than that of PAF PRO DI MARZIO my Ibanez Satriani are too Mtal typ.

In conclusion I would say that the grain is warm and full.

- In spit mode on raproche the sound of a strat equipped with Lace Sensor is critallin and gentle on the neck, slamming easel.

Note that the microphones can go very far into saturation without losing their color.

I read on the net that Lag studio microphones are consistent copies of Seymour Duncan 59 ', it is true that the sound is very near.



NOTICE GLOBAL

I use it for a good ten year. I bought it for the sound of my Gibson without the drawback of Gibson sleeve that I find too slow.
On the difficult Audible plan diffrencier the gibson and Lag, say Gibson sounds drier, less round. It is a matter of gut. For rock blues, will lag Suprieure. To rock the Gibson sounds drier steeper. I would say it is very hard dpartager two guitars, say Lag sound more PRS, with more breadth than Gisbon but with the least dirty. If you are like me soloist, Lag wins hands down thanks to its gnial handle and best sustain.

In all cases for 750 euros, the price is amazing. I heard that the quality of Lag is not as good. It is true that I tried a Lag RF 1000 quip DI MARZIO Nortone in store and tell the truth, I find it too Mtal typ. The studio is Roxane Suprieure for blues / rock or Rock 70 'LED ZEPPELIN ... matter of taste.