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Squier Vintage Modified Tele Custom II
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Squier Vintage Modified Tele Custom II

TLC-Shaped Guitar from Squier belonging to the Vintage Modified series

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Tiffouk Tiffouk
Published on 11/02/06 at 14:49
Made of indonsie, 22 frets, neck carved from a single block of Rabl. Taken black logo telecaster "blocky" fawn 70s, mechanical oil bath. The handle is pretty clear but must purchase the son of Foner years (I have 3 years, ca not move too much at the moment).
It is available in black or butterscotch blonde (I have in black, even when it's happening everywhere more)
It is team of two micro style P90 (Duncan Designed) but double coils stacked (stacked) to eliminate background noise. I read through these pickups are splittable, try to find more sounds P90 (but it will install a switch or push-pull).
Cot rglages one is closer to a les paul standard as the tele, which is INTERESTED.
I put 8 for caratristiques because it is original, the style is to take over the tele deluxe and microphones to add P90 into a new instrument and not a copy bte. That made me crack elsewhere.

UTILIZATION

The handle is to be trs rput good, and it is true that it is enjoyable to play. The varnish is low trs, I prfr me something more brilliant vintage fawn. Any fawn I prfre the rosewood but the no choice ...
For usability and Access in acute no surprise that a tele so it's pretty spartan.
The sounds are very easy obtained, the tone knobs back, I rarely use them because they cut the whole dynamic microphones (can be by adding filters better quality test). As against the j'apprcie SETTING THE indpendant volumes can be fun as well as Tom Morello doing trmolo cutting volume (note the toggle switch is dvisse fast enough). Also useful to decrease the volume of micro acute intermdiare position because it is really more powerful than the micro serious

SOUNDS

The sounds are enjoyable, even when with a strong dose of severe acute on the mic which is a can Gnant. It is at once difficult to reach a record jazz (or while playing on the Tone, but as I said above that's not it either). on the other hand for rhythmic arpge or agreements is an open rgal, with a touch of chorus / reverb on a Fender is the best. The bridge pickup is quite DIFFERENT from the grave, what j'apprcie much. It has an output level much higher lv and asks only trigger when the distortion in jou clear sound. It holds the road like a big marshall saturation, even when lacking in bass. But the crunch is great for ac / dc led zep gonna own.
I use a Marshall 100w DFX (yuck) and a vox rcement ad60vt. The play on the simulation vox ac15/30 IDAL is because it compensates for the high prsence in the treble. I hate the ending for being able to test it on fender blues junior.
His area of ​​prdilection remains when the pop-rock, vintage oriental roots for me, it works well in reggae as well (but not too much the look), on the other hand in jazz, funk is dcevant.

OVERALL OPINION

I bought three years ago in England to store 200 books I found it super cheap given the CHARACTERISTICS. I use it in my strat complment, in fact it gives me all the sounds that my Start has not, it's a good deuxime trs guitar. I am not too fan of the les paul, I find that it provides a good alternative, while remaining closer to a fender sound. Against by not much to do with the TV, it must be ca conient, which I thought was a shame when even as it questions the disadvantages rcupre niants of MODEL, know the comfort and shape ...
With the exprience I will look can be more like a MODEL Aerodyne Telecaster same team it with a P90 in severe acute and micro tele in a rosewood fingerboard ...