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f.i.t.n
Published on 09/07/07 at 06:16
Any head amp 50w lamps (ECC83 + EL34)
3 channels: clean, pitcher, lead to legalization indpendante on each channel (bass, mdium, acute rverb, volume) + diffrent filters and boosters on the crunch channel and lead.
Master Volume + Master rverbe (gnial) + Fx mix (which allows the rgler prsence utiliss effects and thus allows her to have a super light-level effects or block loaded )
2 volumes (very useful for rhythm and solos for example)
Tight button (useful for playing Reduces volume while maintaining the hot lamps trs)
Mute button (unless necessary because it cuts compltement sound, while a Yadji Stand By, but hey .... ca keeps still intact because the heat lamps on stand by, they have a tendency cool slightly, as on all the amps lamps)
Rear panel: effects loop, MIDI control, Line Out, ..
Basically it is very complete (even a little too, for those who uses only one volume and basta) but anything is possible with the BTE.
Question power adpote ... c'etst the 50w lamps and everything, and we have proof when we play.
For weight, it is reasonable, I have not put on the scales but hey ....
UTILIZATION
The config is not the easiest, but it is not ultra complicated either. There is the button but it's still basic (Bass, mdium, acute ...) share of the lead channel or 4 buttons Xpand, Modern, Bright and Boost can cause the problem because it dpart difficult at first coup d'ears to hear all the subtle brought by the buttons above for Xpand and Modern. The Bright boosts the treble and you can hear Boost provides a dynamic supplmentaire saturation and compresses well.
Basically have to take a little time but tame quickly, bte.
SOUNDS
So is the gnial because it makes every afternoon you turn and it sounds serious. I use an Epiphone Les Paul Std Dimarzio Tone Zone climbs and Air Classic.
In short: soft, warm sound, just enough to slam to bring relief without ears exploded. The legalization (like the other 2 channels) is performing trs). For fans of the slam, there is also a button Bright. But it remains the standard sound is good, whether for blues, jazz, rock, funk ca does, period.
Crunch: I love this channel because it allows the subtleties "super-subtle", lol. up to 3, for small gnial arpges that require a bit more potato. Up 5-6, it's still trsdfinit, clear (though I play with a Les Paul) and saturation really brings something, the knob as progressive trs. IDAL to play a small Cryin Aerosmith or Led Zep. Beyond is saturated frankly, tight deadlines to address Guns or Metallica. and it is always clean. Basically from blues to heavy, ca does.
Lead: the sound is saturated gure than the crunch, but we gain in compression and therefore was a more homogne but loses a little momentum and therefore nuances. but it sounds nothing
OVERALL OPINION
It's been five years since I use it and I still do not want to change. Versatile, its one hell of a connection complte. Laney, as always has a head an affordable price given its performance.
The only BMOL is that to play dansdes confined spaces, the entire head / speaker is not the most adquate, I might take me a little combo afterwards.
In any case, all styles are affordable, jazz-blues, until System of a Down. Then the grain must love laney. Compares a marshall, there's not even picture.
3 channels: clean, pitcher, lead to legalization indpendante on each channel (bass, mdium, acute rverb, volume) + diffrent filters and boosters on the crunch channel and lead.
Master Volume + Master rverbe (gnial) + Fx mix (which allows the rgler prsence utiliss effects and thus allows her to have a super light-level effects or block loaded )
2 volumes (very useful for rhythm and solos for example)
Tight button (useful for playing Reduces volume while maintaining the hot lamps trs)
Mute button (unless necessary because it cuts compltement sound, while a Yadji Stand By, but hey .... ca keeps still intact because the heat lamps on stand by, they have a tendency cool slightly, as on all the amps lamps)
Rear panel: effects loop, MIDI control, Line Out, ..
Basically it is very complete (even a little too, for those who uses only one volume and basta) but anything is possible with the BTE.
Question power adpote ... c'etst the 50w lamps and everything, and we have proof when we play.
For weight, it is reasonable, I have not put on the scales but hey ....
UTILIZATION
The config is not the easiest, but it is not ultra complicated either. There is the button but it's still basic (Bass, mdium, acute ...) share of the lead channel or 4 buttons Xpand, Modern, Bright and Boost can cause the problem because it dpart difficult at first coup d'ears to hear all the subtle brought by the buttons above for Xpand and Modern. The Bright boosts the treble and you can hear Boost provides a dynamic supplmentaire saturation and compresses well.
Basically have to take a little time but tame quickly, bte.
SOUNDS
So is the gnial because it makes every afternoon you turn and it sounds serious. I use an Epiphone Les Paul Std Dimarzio Tone Zone climbs and Air Classic.
In short: soft, warm sound, just enough to slam to bring relief without ears exploded. The legalization (like the other 2 channels) is performing trs). For fans of the slam, there is also a button Bright. But it remains the standard sound is good, whether for blues, jazz, rock, funk ca does, period.
Crunch: I love this channel because it allows the subtleties "super-subtle", lol. up to 3, for small gnial arpges that require a bit more potato. Up 5-6, it's still trsdfinit, clear (though I play with a Les Paul) and saturation really brings something, the knob as progressive trs. IDAL to play a small Cryin Aerosmith or Led Zep. Beyond is saturated frankly, tight deadlines to address Guns or Metallica. and it is always clean. Basically from blues to heavy, ca does.
Lead: the sound is saturated gure than the crunch, but we gain in compression and therefore was a more homogne but loses a little momentum and therefore nuances. but it sounds nothing
OVERALL OPINION
It's been five years since I use it and I still do not want to change. Versatile, its one hell of a connection complte. Laney, as always has a head an affordable price given its performance.
The only BMOL is that to play dansdes confined spaces, the entire head / speaker is not the most adquate, I might take me a little combo afterwards.
In any case, all styles are affordable, jazz-blues, until System of a Down. Then the grain must love laney. Compares a marshall, there's not even picture.