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Superlux Sonata DRK-F5H3
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All user reviews for the Superlux Sonata DRK-F5H3

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3.0/5
(3 reviews)
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Value For Money : Excellent
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  • DaHeavySoundDaHeavySound

    Superlux Sonata DRK-F5H3Published on 03/06/06 at 11:23
    (This content has been automatically translated from French)
    Eight microphones battery (5 + 3 static-dynamic two overheads and charley-... Impdance output for each: 200 ohms. Maximum sound level between 135 and 150 dB. Rponses But in frquences have priori t cheat by the manufacturer, do not rely on it. Superlux On the sheet says:
    bass drum microphone (FK2) 30 Hz-10kHz. sense.:-62dB.
    Snare (FS6) 50 Hz-16kHz. sense.:-55dB
    toms (FT4) 20Hz-12kHz.sens.:-55dB
    charley (HI10) 50Hz-18kHz.sens.:-38dB
    Overhead (HO-8) 40Hz-18kHz.sens.:-33dB

    Overall, the IDE briefcase containing all eight microphones battery is always INTERESTED. Those are roughly the typs for their respective RLES ...

    OVERALL OPINION

    In this investment dpart cheap (becaus…
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    Eight microphones battery (5 + 3 static-dynamic two overheads and charley-... Impdance output for each: 200 ohms. Maximum sound level between 135 and 150 dB. Rponses But in frquences have priori t cheat by the manufacturer, do not rely on it. Superlux On the sheet says:
    bass drum microphone (FK2) 30 Hz-10kHz. sense.:-62dB.
    Snare (FS6) 50 Hz-16kHz. sense.:-55dB
    toms (FT4) 20Hz-12kHz.sens.:-55dB
    charley (HI10) 50Hz-18kHz.sens.:-38dB
    Overhead (HO-8) 40Hz-18kHz.sens.:-33dB

    Overall, the IDE briefcase containing all eight microphones battery is always INTERESTED. Those are roughly the typs for their respective RLES ...

    OVERALL OPINION

    In this investment dpart cheap (because the IDE to target truly silent on the cheap micro ... and eight microphones 275 euros or 35 euro microphone is like having the studio mga offered on a tray (little prs)) prvu silent for the registration of a model. In fact I'm first used to sound to my roommate (drummer) a concert ... Silent sound pretty close to a karaoke microphone, but the sad rcuprable Ralite scne made a small tear it off. In the studio, I REALLY know we can do nothing, but nothing to do with the bass drum microphone. Toms microphones are "schplok" if you're lucky enough to have proper quality of fts. The snare mic is affordable for the stamp but difficult to grate oversnare one quickly falls into the trap of equalizer, compressor, gate, exciting, short, many effects to make up for his loss and finally d even more-... is the static, on the contrary, dfendent pretty well.
    Trs not hard to find Overhead correct, but I must say that I still continue to use it (for want of better) in a complment ATM33 for the ride. Charley and has a color in the treble.
    Finally, do not expect miracles for this price that the case can be used for small services o the room does not provide hardware ... plutt gadget is a troubleshooting tool for drummers that work for home-studio owners. In this case, it is better to wait and buy small small microphones between 100 250 euros each (I have enriched my park from AKG, Sennheiser, Shure, Audiotechnica, and it's tr ... s well as a)
    Clearly, I do not recommend it. And what surprises me is that the magazine KeyboardRecording ale dfendu this article ...
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  • jesusmomojesusmomo

    Superlux Sonata DRK-F5H3Published on 05/06/06 at 07:50
    (This content has been automatically translated from French)
    I highly recommend this kit microphone. We checked in the battery for our album with this kit for the battery and your exact bleufant really!
    I invite you to go listen what happens on our site: http://www.solairmissile.com

    OVERALL OPINION

    We used all the microphones except the over head that are a bit limited, the microphone does a snare set a tone for complter in sm57 type.
    As we have overhead of AKG C451.
    We are intrigued by the micro t kick that seemed extremely good, so we did a test with a Shure beta 52, AKG D112, Sennheiser E602, Bayer M88TG and the famous Superlux FK 2. We removed the skin tone of the bass drum and have to agree it's an excellent, then we put all the…
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    I highly recommend this kit microphone. We checked in the battery for our album with this kit for the battery and your exact bleufant really!
    I invite you to go listen what happens on our site: http://www.solairmissile.com

    OVERALL OPINION

    We used all the microphones except the over head that are a bit limited, the microphone does a snare set a tone for complter in sm57 type.
    As we have overhead of AKG C451.
    We are intrigued by the micro t kick that seemed extremely good, so we did a test with a Shure beta 52, AKG D112, Sennheiser E602, Bayer M88TG and the famous Superlux FK 2. We removed the skin tone of the bass drum and have to agree it's an excellent, then we put all the mics in the kick drum and the same time we compared the sound of microphones ...
    Believe it or not but listening to the recordings without knowing the name of what is cost, FK 2 is out in front of the head 52 beta!
    I can highly recommend it !!!!!
    If you are interested in testing Crivi me an email through the site http://www.solairmissile.com I will send it.
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  • RickhunterRickhunter

    Superlux Sonata DRK-F5H3Published on 04/08/07 at 11:57
    (This content has been automatically translated from French)
    Bass drum microphone dynamic supercardiode FK-2, 30-10000 Hz bandwidth
    sensitivity -62 dBV / Pa (0.8 mV / Pa) max sound level. 147 dB, 200 ohms impdance
    Weight 210 g

    snare micro FS-6 Dynamic supercardiode, 50-16000 Hz bandwidth
    sensitivity -55 dBV / Pa (1.8 mV / Pa) max sound level. 140 dB, 200 ohms impdance
    Weight 130 g

    toms micro FT-4 Dynamic supercardiode, 50-12500 Hz bandwidth
    sensitivity -55 dBV / Pa (1.8 mV / Pa) max sound level. 150 dB, 200 ohms impdance
    Weight 130 g

    Micro HI-10 charley lectret cardioid, 50-18000 Hz bandwidth
    sensitivity -38 dBV / Pa (12.6 mV / Pa) max sound level. 134 dB
    109 dB dynamic scale, impdance 200 ohm load impdance min. 1 Kohm
    9 ~ …
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    Bass drum microphone dynamic supercardiode FK-2, 30-10000 Hz bandwidth
    sensitivity -62 dBV / Pa (0.8 mV / Pa) max sound level. 147 dB, 200 ohms impdance
    Weight 210 g

    snare micro FS-6 Dynamic supercardiode, 50-16000 Hz bandwidth
    sensitivity -55 dBV / Pa (1.8 mV / Pa) max sound level. 140 dB, 200 ohms impdance
    Weight 130 g

    toms micro FT-4 Dynamic supercardiode, 50-12500 Hz bandwidth
    sensitivity -55 dBV / Pa (1.8 mV / Pa) max sound level. 150 dB, 200 ohms impdance
    Weight 130 g

    Micro HI-10 charley lectret cardioid, 50-18000 Hz bandwidth
    sensitivity -38 dBV / Pa (12.6 mV / Pa) max sound level. 134 dB
    109 dB dynamic scale, impdance 200 ohm load impdance min. 1 Kohm
    9 ~ 48V phantom power, 5 mA. Weight 120 g

    HO-8 micro overheads lectret supercardiode, 40-18000 Hz bandwidth
    sensitivity -33 dBV / Pa (22.4 mV / Pa) max sound level. 136 dB
    115 dB dynamic scale, impdance 200 ohm load impdance min. 1 Kohm
    36 ~ 52V phantom power, 3 mA. Weight 320 g

    OVERALL OPINION

    I use it for two years, it is my first microphone so I can not compare. Same if they seem to ring cardboard first, eventually APRS treatment is much better. But without treatment, I think they are ways they relate to the purchase price. It is a model of a recorder korg D3200, for those who want an extract Crivi me.

    With the same budget I would do this choice, even if I tried it ranges over before To check whether a set is worth five times as much in a good stock pickups. One day, I would!
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