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Baï
Published on 10/09/08 at 07:45
45 Watt all-tube amp from 1966. 3 (ECC 808), 2 (ECC83), 1 (ecl86), 1 (ef86), 2 (pl84)
4 channels with different sensitivity with two SETTING THE Tone (bass / treble) and a dpart effect for each channel.
A direct channel with no rglage.
Hall reverb and the most beautiful effect with a beautiful vibrato rglage amplitude and frequency drives, all controllable by pdalier.
Input Din (a din connector / jack and you're jou)
Din output to the recording medium.
4 speaker outputs (or 2x16ohms 2x4ohms)
Stand by Power ON +
110V up to 240V power supply
DISADVANTAGES:
- Some of these lamps are no longer manufactured today but remain available on the net affordable prices.
BENEFITS:
- Insurance work only with vintage tube, which must be admitted, have a damn difficult to find among the current manufacturers (know-how is being lost!)
ADVANTAGE
UTILIZATION
No need to get out of hand: you plug and the miracle happened!
SOUNDS
Essay with tlcaster of 73 and a Fender Rhodes on a baffle Echolette 1965, team of 2 x 12 "Alnico speaker but also a hohner BOX team of 4 x 10", the sound is magical.
The outline is unparalleled in the bass, sound clarity is amazing and the precision of the return of frquences leave you speechless.
No Fender Blues Deluxe (yuck) Bassman or even twin reverb will give the feedback, particulirement in the grave.
I quote Fender because it still the world closest to that same old Selmer amp (beautiful). It is not about to compare Marshall, Peavey and Laney or other Engl.
Popeux any hair, love of jazz and seventies, this amp could be the VTRE!
OVERALL OPINION
I really used this amp for its equity in the studio with musicians demanding, they are all left with a smile from ear to ear.
I possde many other amps that make up my studio backline, all dating from before 1972, Hohner (60mH, 75MH) Klemt Echolette (Almost the entire range), Fender (Bassman, Twin), Selmer, Davoli etc. .. . hohner ds I love that it is taken to make keyboards or guitars made psychdliques connotations.
4 channels with different sensitivity with two SETTING THE Tone (bass / treble) and a dpart effect for each channel.
A direct channel with no rglage.
Hall reverb and the most beautiful effect with a beautiful vibrato rglage amplitude and frequency drives, all controllable by pdalier.
Input Din (a din connector / jack and you're jou)
Din output to the recording medium.
4 speaker outputs (or 2x16ohms 2x4ohms)
Stand by Power ON +
110V up to 240V power supply
DISADVANTAGES:
- Some of these lamps are no longer manufactured today but remain available on the net affordable prices.
BENEFITS:
- Insurance work only with vintage tube, which must be admitted, have a damn difficult to find among the current manufacturers (know-how is being lost!)
ADVANTAGE
UTILIZATION
No need to get out of hand: you plug and the miracle happened!
SOUNDS
Essay with tlcaster of 73 and a Fender Rhodes on a baffle Echolette 1965, team of 2 x 12 "Alnico speaker but also a hohner BOX team of 4 x 10", the sound is magical.
The outline is unparalleled in the bass, sound clarity is amazing and the precision of the return of frquences leave you speechless.
No Fender Blues Deluxe (yuck) Bassman or even twin reverb will give the feedback, particulirement in the grave.
I quote Fender because it still the world closest to that same old Selmer amp (beautiful). It is not about to compare Marshall, Peavey and Laney or other Engl.
Popeux any hair, love of jazz and seventies, this amp could be the VTRE!
OVERALL OPINION
I really used this amp for its equity in the studio with musicians demanding, they are all left with a smile from ear to ear.
I possde many other amps that make up my studio backline, all dating from before 1972, Hohner (60mH, 75MH) Klemt Echolette (Almost the entire range), Fender (Bassman, Twin), Selmer, Davoli etc. .. . hohner ds I love that it is taken to make keyboards or guitars made psychdliques connotations.